Liath Luacha: The Metal Men is out!

I’m pleased to announce that the fourth book in the Irish Woman Warrior Series is now live at the Irish Imbas website and most ebookstores. You can find the various links HERE

The price will remainat $4.99 for the rest of the month but will go up to $5.99 next month.

Liath Luachra: The Metal Men continues the story of a traumatised woman warrior’s ongoing efforts to survive in the brutal, world of first century Ireland. The main character – Liath Luachra – is based on a 12th century reference from Ireland’s famous ‘Fenian Cycle’ mythology.

You’ll find that my books might differ slightly from other books related to Irish Mythology. The reason for this is that when you come across ‘Irish mythology’ in English fiction, a lot of it tends to reflect an Anglocentric interpretation of Irish culture – that is, one that bears little real or meaningful similarity to its supposed source.

With most of my own books, therefore, I try to tell Irish stories – in English – from a more authentic ancient Irish/Gaelic slant. In doing this, I not only use the available historical information (and current academic theory) but draw on my own personal Irish language and cultural concepts as well. 

The Metal Men marks a particulalry interesting challenge for me in that I was keen to present an international incident (occurring in the 1st century) from the unique perspective of the native Irish. When it came to introducing a foreign culture on ancient Irish soil therefore, I attempted to tell the story from a viewpoint of how ‘native’ people in first century Ireland might have viewed that culture and interpreted the behaviour of its people. I don’t think any other Irish author has attempted this before, so it’ll be interesting to see how readers respond.

Bain sult as! / Enjoy!


The back cover summary is as follows:

“Everything the Hungry People devour has the taste of ‘more’”!

As the harrowing pursuit of a mysterious raiding party draws to a close, the woman warrior Liath Luachra prepares her war party for one final onslaught.
 

But out in the Great Wild, even the best laid schemes rarely go as planned. 

The south-eastern forests hide threats more dangerous than raiders, Liath Luachra’s alliances are foundering, and her own personal history risks upending her existence forever.
Just as she faces a challenge her world has never encountered before.

A Conversation with Bodhmhall

I really enjoy writing dialogue – particularly when it’s a dialogue between two strong characters with diferent motivations. This is a quick sample of a conversation between the woman warrior Liath Luachra and the bandraoi (female druid) Bodhmhall, who joined her hunt for a díbhearg (raiding party) in a slightly underhand manner. At this point in the story, neither character really trusts the other and that puts a nice tension in their interactions. This particular piece comes from Liath Luachra: The Metal Men which comes out tomorrow.

The converation occurs after a meeting to discuss the continued pursuit of the díbhearg.


A Conversation with Bodhmhall

With Crimall off reviewing the guards, it was Bodhmhall who represented Clann Baoiscne interests around the fire, sidling up silently to remain standing in the background and listening without comment. When the fénnid finally finished his story and the others started to drift away, she moved to approach the warrior woman, who’d seated herself on a fallen, moss-coated tree trunk a short distance from the others.

‘All power to you, Grey One.’

Liath Luachra eyed the bandraoi without warmth. Having spent the better part of the evening preparing defences for the campsite to counter a sneak attack by the díbhearg – a possibility she couldn’t ignore – she was tired and brittle and ready to sleep.  

‘Your plan to find the díbhearg trail sowed the makings of success. To reap its bounty is your just reward.’

Reluctant to be snagged in further conversation, Liath Luachra let the compliment slide by without comment, however the bandraoi settled easily onto the trunk alongside her. She cleared her throat with a delicate sound, her refined and polished demeanour looking a little more ragged after several days of hard travel.

‘In truth, I didn’t like your plan. At the time, I didn’t believe it had the makings of success.’

This time, the woman warrior eyed her in muted surprise. ‘And yet you supported it.’

The bandraoi acknowledged that truth with a wry, slightly sardonic laugh. ‘I suppose I liked the alternative even less.’

A brief lull followed this forthright admission. Despite the lengthening silence however, the Clann Baoiscne woman showed no inclination to leave. Liath Luachra scowled.

‘Why are you here, Bodhmhall? Your warning in Murchú’s regard was appreciated, but we are not friends. Distrust, between your family and I, runs too deep.’

The bandraoi remained silent as she considered the woman warrior’s response. Finally, she terminated that quiet deliberation with a sigh.

‘Given your experience of Dún Baoiscne hospitality, I can understand your grievance, Grey One. And, yes, I acknowledge the loathing my father holds in your regard.’ The bandraoi winced. ‘Actually, he bears you a measure of hatred I’ve ever only seen directed against his most gruesome enemies …’

Liath Luachra gave a dismissive sniff. Tréanmór’s hostility held little interest for her. She was unlikely to encounter the of Clann Baoiscne again.

‘I suspect,’ Bodhmhall continued, ‘my father’s hatred stems from the fact he’s so rarely bested. When you defeated Cathal Bog, you upended the plan he’d orchestrated for your humiliation and turned it back on him instead. That took my father by surprise. That took everyone by surprise …’ The bandraoi paused then, as though struck by a sudden realisation. ‘Myself included.’

The Clann Baoiscne woman drew back a little, eyeing Liath Luachra with greater attention. ‘In truth, it confounds me to have overlooked someone of your complex potential.’

‘I’m surprised your tíolacadh revealed no raging blaze,’ the Grey One answered, and although her words were laden with sarcasm, Bodhmhall didn’t seem to take offence.

‘There’s truth in that,’ she conceded with grace. ‘Then again, you had me at a disadvantage when we first crossed paths.’

Liath Luachra regarded her carefully. She had no memory of meeting the bandraoi prior to her sly infiltration of the fian. ‘When we first crossed paths?’

‘At Dún Baoiscne. In the gateway passage. You were on your way to fight Cathal Bog.’

Liath Luachra studied the Clann Baoiscne woman’s features with new interest. She vaguely recalled another presence within the gateway passage at that time but, focussed on her imminent combat with the Clann Baoiscne champion, she retained no clear mental image of the encounter.

Bodhmhall patiently endured the scrutiny until the woman warrior finally shook her head.

‘I don’t remember you.’

To her surprise, the bandraoi chuckled at that. ‘Ah, you wound my vanity, Grey One. Am I so easily forgotten?’

 ‘I haven’t forgotten you’ve not told me what you want.’    

The bandraoi frowned then, a new tightness of her lips suggesting a subtle reassessment.

‘Very well. I’ll spare you words daubed with winter honey. What I seek is forthrightness, forthrightness on the díbhearg we pursue. It seems to me that you’ve a greater familiarity with the raiders than you cared to admit to my brother – that, at least, is my sense of the matter. This pursuit is meant to be a shared endeavour between our two fianna towards a common purpose. In the spirit of that arrangement, I’d ask for a sharing with respect to the díbhearg’s true motivations.’

Only years of emotional compression allowed the woman warrior to conceal her true astonishment as she returned the bandraoi’s gaze. Behind that cool veil of impassivity however, she struggled to suppress a growing swell of panic. The Clann Baoiscne woman’s startling perspicacity had caught her completely by surprise and it was an abrupt and frightening revelation of just how dangerous she truly was. Crimall and Tréanmór might possess shrewd instincts that were enhanced by their ambition but Bodhmhall, with her piercing intelligence and An tíolacadh, was on level that far exceeded them.

The Grey One put her bowl aside softly and offered the ghost of a haughty shrug. ‘Given your reputed talent with imbas forosnai, I’d have thought you better placed than I to know the díbhearg motivations. Crimall certainly holds your Gift in great reverence and the Druidic Council are constantly at pains to assure us of the mystical glimpses An tíolacadh provides.’

Bodhmhall responded to the deflection with a bright smile but there was a subtle tension to her features that she couldn’t completely disguise. Behind her assured façade, it seemed the bandraoi had secrets of her own and the imbas forosnai ritual looked to be a topic she was reluctant to broach.

To the Grey One’s surprise, Bodhmhall abruptly rose to her feet. Although it appeared at first that the Clann Baoiscne woman intended to stalk away, she stood watching the woman warrior, the flickering of the fire casting a strange set to her features.

‘Sadly, on certain subjects Crimall tends to greater conviction for things he’d like to be true than in the truth itself. The reality is that An tíolacadh’s not a Gift so much as a burden. That’s doubly so with the imbas forosnai ritual, despite what Na Draoithe would have you think.’

She paused then, and Liath Luachra regarded her warily for there’d been a weary honesty to the response she hadn’t anticipated. More importantly, there’d also been a tacit acknowledgement in the bandraoi’s eyes, a kind of diplomatic retreat or implied agreement not to pry into the woman warrior’s secrets if she chose to respond in kind.

The bandraoi made to leave but then paused in mid-step, turning to consider the woman warrior over her right shoulder.

‘I’ve told you the full truth of why I’m here, Grey One. Perhaps you’d reciprocate that with frankness of your own. Why are you here? It’s obvious you take no pleasure in leading this Seeking.’

‘There’s no secret to that, Bodhmhall. I’m here because Murchú asked for my help.’

‘For your help.’

‘To rescue his sister and deal to her abductors.’ She hesitated. ‘And perhaps to kill some ghosts of my own.’

‘You cannot kill a ghost, Grey One.’

‘Perhaps not, Bodhmhall. But I will surely give the matter my best efforts.’

Liath Luachra: The Metal Men is done

Liath Luachra: The Metal Men (4th book in the Irish Woman Warerior Series) is now complete. I’m currently working with the artist to get the final covers sorted but all looks good for the planned release in March (patrons will get it earlier).

I’m really pleased with the final result.

The new back cover blurb is below.


“Everything the Hungry People devour has the taste of ‘more’”!

As the harrowing pursuit of a mysterious raiding party draws to a close, the woman warrior Liath Luachra prepares her war party for one final onslaught.But out in the Great Wild, even the best laid schemes rarely go as planned.

The south-eastern forests hide threats more dangerous than raiders, Liath Luachra’s alliances are foundering, and her own personal history risks upending her existence forever.

Just as she faces a challenge her world has never encountered before.


Liath Luachra: The Metal Men is the fourth book in the Irish Woman Warrior Series and continues the story of the traumatised woman warrior’s ongoing efforts to survive in the brutal, world of first century Ireland. The main character – Liath Luachra – is based on a 12th century reference from Ireland’s famous ‘Fenian Cycle’ mythology.

A Gentle Seismic Shift

I have two books coming out this year which I’m hoping will create a gentle seismic shift around Irish culture and how Irish mythology is understood and portrayed. Both, however, are very different.

The first (Liath Luachra: The Metal Men) is ‘historical fiction’ but it’ll be taking Irish mythological fiction narratives to a place they haven’t been taken before (and hopefully amend some misconceptions along the way).

This will be released on 16 March 2022.

The second (the working title is ‘Irish Mythology:The Fundamentals) is non-fiction and is intended to be the definitive book explaining how Irish mythology (and other mythology) works and should be utilised. This one is anticipated to create a lot of reaction. The proposed release is October 2022.

One way or the other, I suspect this will be an interesting year.

The Púca

I was intrigued by the furore around a sculpture by Aidan Harte based that was based on the mythical Púca back in Clare last year (it’s called the Púca of Ennistymon). The sculpture – paid for by Clare County Council – was originally intended to be installed in Ennistymon, but after feedback from the community, those plans were scrapped.

Given that it’s already cast (i.e. paid for), the sculpture’s since being offered to other towns around Clare to see if anyone wanted it.

The most interesting things about this topic is the way the story was carried by the media with a lot of national and overseas media trying to dramatize the story by giving the impression the opposition was the result of some (unnamed) priest denouncing it from the altar as a ‘pagan’ idol. That was also picked up by various Pagan social media groups who were outraged that they were being oppressed by the Catholic (presumably) Church.

If you actually go back to the original releases however, its’ pretty clear the opposition to its installation in Ennistymon was primarily because people thought the sculpture was really ugly. Given that it’s two meters high, constructed from bronze and not linked to any local stories, I can understand their reticence, particularly if they’re paying for through public rates.

It all seems such a wasted opportunity though. If the Council had linked an appropriate artist to local cultural experts from the start, the resulting joint venture could have been amazing.   

Fionn Mac Cumhaill: A History of a Legend

This is a recent interview/discussion I did as part of a panel on ‘Talking History‘ – an Irish radio show presented by historian Patrick Geoghegan and which specialises in exploring some fascinating topics. I was invited on as that week’s show was focussed on the development of the lore of Irish mythological hero Fionn mac Cumhaill.

The panel for this discussion included some top-notch academics, including Dr Kevin Murray (University College Cork), Dr Sile Ni Muhurchu (University College Cork), Natasha Sumner (Harvard), Dr Jim MacKillop (Editor of  the ‘Oxford Dictionary of Celtic Mythology’) and Dr Joseph Flahive (Royal Irish Academy). I’m quite familiar with most of their works and it was nice to be included in such a line up.

I can promise you that the knowledge/information on Fionn and the Fenian Cycle revealed over the course of this one hour discussion will excede twenty-five years’ worth of blathering from self-declared authorities on You Tube.

You can get to the show by clicking on the image above or clicking the link HERE.

The Music of What Happens

Once, as they rested during a hunt for wild deer, Fionn mac Cumhaill and his men debated what the finest music in the world might be.

“Then tell us what it is,” said Fionn to Oisín, who’d started the discussion.

“The cuckoo calling from the tree that’s highest in the hedge,” cried his son.

Fionn nodded. “That’s a good sound,” he admitted. “And you, Oscar? “What is finest of music to your mind?”

“The finest of music is the clash of a spear against a shield in battle,” the warrior exclaimed.

“It is a good sound,” said Fionn.

Working his way through the party, he asked each of his men what they thought and each gave their answer: the belling of a stag across the water, the baying of a tuneful pack of hunt hounds heard somewhere in the distance, the throaty song of a lark, the happy laugh of a gleeful girl, the whisper of a loved one in the darkness of night.

“These are all good sounds,” said Fionn.“

So, tell us, a Fionn,” one of his men ventured finally, for there was genuine curiosity amongst them.  “What do you think? What would your answer be?”

Fionn considered the question for a moment.

“The music of what happens,” he said at last. “That is the finest music in the world.”

Note: This is a segment I’ve adapted from one of the ‘old style’ Fionn mac Cumhaill stories, in this case from a book called ‘Irish Fairy Tales’  by James Stephens. Stephens actually adapted it from the 12th century Macgnímartha Find [The Boyhood Deeds of Fionn] back in 1920. This is how a lot of the Fenian Cycle (and other Irish mythology) works.

Irish Imbas Projects for 2022

The nice thing about a decent holiday is that it gives you time and space to think outside the rut, to consider new possibilities or the need to change existing circumstances. Like everyone else, I think I’ve been pretty burned out from work and social stress since the emergence of the first Covid strain in 2020. That was something that cut the legs out from under a full year’s work on a potential tv series (while also dramatically escalating my freelance consulting work) on top of all the writing.

Fortunately, sitting in the sun and blobbing over the holidays, does wonders for the soul, in terms of planning what I can realistically achieve over the forthcoming twelve months, at least. Here are the projects I hope to work on over 2022.


Liath Luachra: The Metal Men

I’m currently on the last leg of this story – which turned out to be far longer than I’d anticipated due to the disparate plot threads. I don’t want to finish on another cliff hanger so I’m just going to slog through on this to a close-to-final draft at the end of January. I’m hoping to make this available to Patreons sometime in February and it’ll be available in all the ebookstores sometime on 16 March 2022.


Fionn: Stranger at Mullán Bán:

The next book in the Fionn series will have clear overlaps with ‘The Seeking’ and ‘The Metal Men’ and Demne/Fionn takes a more active role in the narrative. I’m provisionally working to a release date of June 2022, but I now suspect this will be later.  


Untitled Liath Luachra Short Story:

This short story will be available for Patreons only. Further detail later in the year.


Non-fiction Irish Mythology Book:

This is a book explaining how Irish mythology (and other mythology) works. Most of it is already written but I’m trying to work out how to best get the information across. The plan is to release this sometime in the latter part of 2022. I’ll probably do a small ‘fantasy-based’ spin off on that as well to guide fantasy writers on what to consider when dealing with other cultures and mythology.


Liath Luachra: The Great Wild:

A short Liath Luachra series novella. This will cover an adventure prior to Liath Luachra joining Na Cinéaltaí. The story will initially be available for Patreons only. Further detail later in the year.


How to Save the World

Not the usual stuff I publish, this is a non-fiction ‘white paper’ based on the freelance consulting work I’ve been doing over the last 20 years, predominantly for Government Departments. Over that time, I’m come across patterns and behaviours that need to change in New Zealand (and overseas) if the planet and its occupants have any chance of surviving the next fifty years. Normally, I’d write something like this as part of a project for a government agency but, as they’re part of the problem, I’ll need to write it independently. I’m trying to set this at a level that journalists and the general public can utilise.


Obviously, that’s a substantial amount of work (and major breadth) on top of the Vóg newsletter and additional content I’ll be providing for my Patreons). Interest is also rising once again on a potential screen version of the Liath Luachra series so, as always, these projects need to be flexible in terms of responding to events that might occur throughout 2022.

If you’re keen on following this particular journey, feel free to subscribe to my Vóg Newsletter or if you’d prefer more up front and personal updates and woudl like to support the work I do, you might want to join my Patreon Group).

Best wishes to everyone for 2022.

Irish Fires on Facebook

There’s an old adage that goes something along the lines of ‘we mostly make friends with those who agree with us’. Some of the truth behind that adage is subtly evident in modern social media but it tends to be particularly interesting from an Irish viewpoint.

Observing social media patterns – particularly in the Irish-related Facebook Groups – it quickly becomes evident that there’s a tangible cultural divide between native Irish people and the descendants of Irish people from overseas, an interesting development in ‘Groups’ supposedly built for a common interest. Many of the ‘Irish’ Facebook Groups (sometimes referred to as ‘Oirish’ Groups by native Irish) are established by (and populated by) the descendants of Irish people who have a slightly outdated and ‘rose-tinted spectacles’ view of Ireland and its people. As a result, when native Irish members point out the erroneous beliefs and outright untruths that are posted, online engagement quickly descends into open conflict – helpfully aided by provocative Facebook algorithms that toss petrol on the ‘conversational flames’. Add in the Celtic Recreationists, White Supremacist Celts, Profit-Driven Pagans and others using Facebook Groups to drive their own agenda and you quickly end up with a toxic environment where there’s simply no point in engagement.

One of the reasons behind that disparity of engagement is that although people come to such Groups out of a relatively common interest, they also come with different purposes and, more importantly, bearing very different cultural values, something that has become starkly visible in the most recent ‘Global Trends Survey.’

Irish journalist Fintan O’Toole has an explanatory article on the results of that Survey from an Irish perspective and the huge difference between Irish, American, English (and other) cultural values makes fascinating reading. If you want to understand the war between Oirish and Irish, you can find O’Toole’s article here.

When mythology and history clash with fantasy.

One of the problems with writing adventures set in 1st and 2nd century Ireland is that they sit way outside the usual literary genres. Very much in the ‘sword’ (rather than in the ‘sorcery’) of ‘sword and sorcery’, when you mix in Irish mythology they almost automatically get assigned to the ‘fantasy’ classification.

Fantasy is an area that sits uncomfortably with Irish people who know their history and culture, as mythology is always culturally based (not fantasy based).

Designing covers for these books therefore becomes even more complicated as you have to ensure the cultural integrity while also balancing expectations of people who expect them to fall into the fantasy realm. These are some of my own attempts to do so, to date.

Yes, progress is being made

I have to confess I always get a kick posting this image up on Facebook. Several months back when I first released the book, I put it on the Facebook shop only for it to be rejected as “the sale of animals is forbidden” (the Facebook algorithm thought it was a zebra!).

When I resubmitted it a second time, the cover was judged as ‘offensive material’ and therefore unsuitable for the Facebook shop. Neeldess to say, I won’t be adding any more products to the Facebook Shop. Ironically, of course I can still post the image without any qualms whatsoever.

Aaaah Facebook!

The conclusion of this story started in this book will be released in December (porbably through the Irish Imbas website) and through the ususal suspects some time afterwards. Further detail on that over the next few weeks.

Meanwhile, here are some of the Amazon reviews for Liath Luachra: The Seeking. As always, I’m very grateful to those people who’ve made the effort to do a review.

Liath Luachra: The Great Wild

This is the cover image for a small project called ‘Liath Luachra: The Great Wild‘ which I’m hoping to release sometime next year – probably towards the end of the year. Essentially, it’s a prequel novella to the Liath Luachra Series (The Irish Woman Warrior Series) that tells of an event during Liath Luachra’s first year with mercenary group Na Cinéaltaí – The Friendly Ones.

Currently in outline only, I’m expecting the final work to be around 35-40,000 words in length. In terms of style, this story reverts back to the more simple and rugged approach of the first book in the series (Liath Luachra: The Grey One). A simple, stand alone story, it won’t have the ongoing ‘plot baggage’ (that’s a technical term us arty types use!) of the other books in the series which should make it easier (faster) to write.

Prior to releasing that, I have to publish Liath Luachra: The Metal Men (probably in December 2021) and Fionn: Stranger at Mullán Bán (planned for June 2022).

I’m also hoping to get at least five chapters of Beara: Cry of the Banshee (the second inthe Beara Trilogy) drafted but that will really depend on my freelance workloads. Meanwhile, I also have a non-fiction (Irish mythology based) book planned for next year but that’s a pretty big project so I’m not committing to delivery as yet.

Sheesh! I feel tired just thinking about this!