The Music of What Happens

Once, as they rested during a hunt for wild deer, Fionn mac Cumhaill and his men debated what the finest music in the world might be.

“Then tell us what it is,” said Fionn to Oisín, who’d started the discussion.

“The cuckoo calling from the tree that’s highest in the hedge,” cried his son.

Fionn nodded. “That’s a good sound,” he admitted. “And you, Oscar? “What is finest of music to your mind?”

“The finest of music is the clash of a spear against a shield in battle,” the warrior exclaimed.

“It is a good sound,” said Fionn.

Working his way through the party, he asked each of his men what they thought and each gave their answer: the belling of a stag across the water, the baying of a tuneful pack of hunt hounds heard somewhere in the distance, the throaty song of a lark, the happy laugh of a gleeful girl, the whisper of a loved one in the darkness of night.

“These are all good sounds,” said Fionn.“

So, tell us, a Fionn,” one of his men ventured finally, for there was genuine curiosity amongst them.  “What do you think? What would your answer be?”

Fionn considered the question for a moment.

“The music of what happens,” he said at last. “That is the finest music in the world.”

Note: This is a segment I’ve adapted from one of the ‘old style’ Fionn mac Cumhaill stories, in this case from a book called ‘Irish Fairy Tales’  by James Stephens. Stephens actually adapted it from the 12th century Macgnímartha Find [The Boyhood Deeds of Fionn] back in 1920. This is how a lot of the Fenian Cycle (and other Irish mythology) works.

Irish Imbas Projects for 2022

The nice thing about a decent holiday is that it gives you time and space to think outside the rut, to consider new possibilities or the need to change existing circumstances. Like everyone else, I think I’ve been pretty burned out from work and social stress since the emergence of the first Covid strain in 2020. That was something that cut the legs out from under a full year’s work on a potential tv series (while also dramatically escalating my freelance consulting work) on top of all the writing.

Fortunately, sitting in the sun and blobbing over the holidays, does wonders for the soul, in terms of planning what I can realistically achieve over the forthcoming twelve months, at least. Here are the projects I hope to work on over 2022.


Liath Luachra: The Metal Men

I’m currently on the last leg of this story – which turned out to be far longer than I’d anticipated due to the disparate plot threads. I don’t want to finish on another cliff hanger so I’m just going to slog through on this to a close-to-final draft at the end of January. I’m hoping to make this available to Patreons sometime in February and it’ll be available in all the ebookstores sometime on 16 March 2022.


Fionn: Stranger at Mullán Bán:

The next book in the Fionn series will have clear overlaps with ‘The Seeking’ and ‘The Metal Men’ and Demne/Fionn takes a more active role in the narrative. I’m provisionally working to a release date of June 2022, but I now suspect this will be later.  


Untitled Liath Luachra Short Story:

This short story will be available for Patreons only. Further detail later in the year.


Non-fiction Irish Mythology Book:

This is a book explaining how Irish mythology (and other mythology) works. Most of it is already written but I’m trying to work out how to best get the information across. The plan is to release this sometime in the latter part of 2022. I’ll probably do a small ‘fantasy-based’ spin off on that as well to guide fantasy writers on what to consider when dealing with other cultures and mythology.


Liath Luachra: The Great Wild:

A short Liath Luachra series novella. This will cover an adventure prior to Liath Luachra joining Na Cinéaltaí. The story will initially be available for Patreons only. Further detail later in the year.


How to Save the World

Not the usual stuff I publish, this is a non-fiction ‘white paper’ based on the freelance consulting work I’ve been doing over the last 20 years, predominantly for Government Departments. Over that time, I’m come across patterns and behaviours that need to change in New Zealand (and overseas) if the planet and its occupants have any chance of surviving the next fifty years. Normally, I’d write something like this as part of a project for a government agency but, as they’re part of the problem, I’ll need to write it independently. I’m trying to set this at a level that journalists and the general public can utilise.


Obviously, that’s a substantial amount of work (and major breadth) on top of the Vóg newsletter and additional content I’ll be providing for my Patreons). Interest is also rising once again on a potential screen version of the Liath Luachra series so, as always, these projects need to be flexible in terms of responding to events that might occur throughout 2022.

If you’re keen on following this particular journey, feel free to subscribe to my Vóg Newsletter or if you’d prefer more up front and personal updates and woudl like to support the work I do, you might want to join my Patreon Group).

Best wishes to everyone for 2022.

Liath Luachra 1 on Sale for the rest of December

To celebrate a decidedly good end to a pretty exhausting year!

The first Liath Luachra book – the first one adapted for the screen – is going onsale everywhere until the end of the year. You can find it here: https://irishimbasbooks.com/book/liath-luachra-the-grey-one/

Or in the ‘Books’ section.

Update On Liath Luachra 4

I’m currently working full blast on the remaining two chapters (and epilogue) for ‘Liath Luachra: The Metal Men’ but the book is now available for pre-order at Amazon and Kobo and soon thourgh the other major ebook stores. You can find the details here: Liath Luachra: The Metal Men Availability

At this stage, it looks as though at least two (earlier) chapters will need to be removed and reworked for use in a separate book in the series (Liath Luachra 5). Unfortunately, I won’t have a title or any kind of release date for that for several months (as I want to complete Fionn: Stranger at Mullán Bán for a June 2022 release).

Some other good news is that interest in the potential television series seems to have raised its head again. That doesn’t mean, of course, that it’ll actually go to green light. There are always at least a dozen or more other variables on those kinds of decisions.

I guess, like Book 5, we’ll just have to wait and see.

Liath Luachra and Red Sonya

I get an email every now and again where people ask if the Liath Luachra character is based on the Red Sonya character. She isn’t, of course, but the development of the Red Sonya character is actually quite interesting in itself.

The original Red Sonya was ‘Red Sonya if Rogatino’, a red-haired woman warrior from the book ‘The Shadow of the Vulture’, which was written by Robert E. Howard (creator of the famed ‘Conan the Barbarian’ books). Published in the 1930s, it was more historical fiction than the pure fantasy of his better known works and set during the Ottoman invasion of 16th century Europe (and more specifically around the first Siege of Vienna). In the book, Red Sonya is actually a lesser character to the main protagonist – Gottfried von Kalmbach – who she helps in the defence of the city.

The Red Sonya character also drew a lot from one of Howard’s other characters called Dark Agnes de Chastillon, a red-haired woman who turned up in a trio of stories set in 16th Century France: ‘Sword Woman’, ‘Blades for France’ and ‘Mistress of Death’ (you can probably get these online but I’ve not read them so I’ve no idea if they’re any good or not).  

Much later (sometime in the 1970s), Marvel Comics picked up some rights to the Howard characters and used them to develop a new sword and sorcery character to “attract the lady fans” to their ‘Conan the Barbarian’ line of comics (which is still running today). The character apparently pulled in some readers, although given the signature (and misogynistic) metallic bikini armour she wears, I suspect they were predominantly male.

A number of books were published over the 1980s and in 1985, a film called Red Sonja was released (again, hoping to ride on the coat-tails of the Arnold Schwarzenegger ‘Conan The Barbarian’ movie released the year before). That movie stared Brigette Nielsen and I can vaguely remember seeing it back in the day. I have the sense that it was ‘not great’ but to be honest, I can’t really recall.

Actually, now that I think about it, I do seem to remember Nielsen being a terrible actor … but I may be doing her an injustice. There are talks of a new film in development with the character and given the #metoo and heightened awareness on diversity, I suspect this will be very different (if it goes ahead).

I first came across the character about ten years ago as the Marvel comic did some lazy cultural theft by bringing a goddess called Scáthach into the story (sigh!). In that version it’s the …. cough … Goddess Scáthach who gives Red Sonya her heightened fighting skills.

Because of my own culture and background, the Liath Luachra character I developed is very much a character of mythological fiction, an done based on a very strong cultural basis. The Red Sonya character however rests deep within the fantasy genre. That’s a place I’ve increasingly avoided over the last few years as so many people don’t seem to understand the difference between ‘fantasy’ and ‘mythology’.

That’s something, of course, I’ll be working on over the next few years.

The Metal Men

I’m deep into writing the last 3-4 chapters of Liath Luachra: The Metal Men at the moment – which concludes the adventure commenced in the previous book (Liath Luachra: The Seeking).

At this stage, I’m hoping to have a close to final draft ready by Christmas but the upcoming holiday season means the final draft won’t be ready until the end of January 2022.

This particular book is a turning point in the series in that it brings a number of the plotlines to a close but there are still several others that need another book to tie up (and some, of course, that continue into the subsequent Fionn mac Cumhaill Series. As a result, it’s taking a bit of time to get the balance of plot and theme the way I want them.

I’m looking forward to getting this out there and seeing if I’ve got it right or not.

Yes, progress is being made

I have to confess I always get a kick posting this image up on Facebook. Several months back when I first released the book, I put it on the Facebook shop only for it to be rejected as “the sale of animals is forbidden” (the Facebook algorithm thought it was a zebra!).

When I resubmitted it a second time, the cover was judged as ‘offensive material’ and therefore unsuitable for the Facebook shop. Neeldess to say, I won’t be adding any more products to the Facebook Shop. Ironically, of course I can still post the image without any qualms whatsoever.

Aaaah Facebook!

The conclusion of this story started in this book will be released in December (porbably through the Irish Imbas website) and through the ususal suspects some time afterwards. Further detail on that over the next few weeks.

Meanwhile, here are some of the Amazon reviews for Liath Luachra: The Seeking. As always, I’m very grateful to those people who’ve made the effort to do a review.

An Emotional Horse (and An Unsubtle Saint)

One of the stories associated with Saint Columcille tells how, on the day before he died, he went to visit his fellow monks working in the field, but was so weak he had to be carried to them in a cart. When he finally arrived, he informed them all of his great longing to ‘go with Jesus’ but that he’d held off as he was very holy and felt obliged to do his holy duty by attending the recent Easter celebrations.

Not being entirely thick, the monks cottoned onto the fact that he was suggesting he didn’t have much time left with them. Accustomed to his tedious harping on however, they pretended not to understand.

A little later, just in case they hadn’t got the message, the saint also obliquely informed his companion, Diarmuid, that it would soon be his own day of rest – the following Sunday in fact (wink, wink!). Diarmuid stared silently at him, not entirely sure whether the saint was talking about him or about himself.

Heading back to the monastery, Colmcille grew weary and was obliged to sit down and rest at the side of the road when a white horse suddenly ran up to him, pressed its head against his chest and started crying, drenching his shirt with the flood of tears.

Unaccustomed to bawling animals, Diarmuid quickly rushed in to save the saint and attempted to drive the horse away. Colmcille, however, never one to miss an opportunity to lecture, latched onto him and prevented him from doing so by saying, “Allow this admirer of mine to shed his tears on my chest. For this horse, being an animal, understood instinctively that I was going to be with my Lord yet you as a man could not foretell this.”

Ever a man to labour a point, oul Colm Cille.

The Vita Columbae – Life of Columba – a hagiography (or ‘propaganda record’ of the saint’s life) indicate that he died the next day.

It’s silent on whether he was helped by the other monks.  

Meath County Council recently produced a short movie of the story which you can find here: St Colmcille and the Depressed Horse

I prefer my own interpretation, of course.

The Metal Men

This is the cover for ‘Liath Luachra: The Metal Men‘ which completes the story commenced in the previous book (Liath Luachra: The Seeking) of the Irish Woman Warrior Series.

The first five chapters have now been edited and are in their final forms and I’m busy drafting up ‘close to final’ versions of chapter six and seven. At this stage, the plan is still to release the book in December 2021, although this might initially be to the Irish Imbas website or Vóg followers before its distributed more widely.

The background imagery is quite dramatic in this piece and I’ll be explaining the full context behind that in the next edition of Vóg (due at the end of the month).

Following the Warrior Path

One of the challenges with writing a character like Liath Luachra – the woman warrior from the Irish Woman Warrior Series and The Fionn mac Cumhaill Series – is the need to reflect the traumatised aspect of her personality across history two different series, while also allowing her to evolve as a person over the time arc of the time periods within those books.

In the first book of the prequel Irish Woman Warrior Series, Liath Luachra is quite savage and ruthless, the result of different experiences that slowly get revealed over the remaining books in the series.  Over that time however, she establishes tentative relationships and, although she never comes to terms with her background, she does develop substantially as person.

By the follow-up series (the Fionn mac Cumhaill Series) which is set 1-2 years after the first series, although she’s still struggling with her traumatic background, the character is an essential part of a larger community, a leader of sorts, and in an established and caring relationship. But nothing burns like trauma and echoes of that remain to shape her character.

The following is a scene from the novel Fionn: Defence of Ráth Bládhma – the first in the Fionn mac Cumhaill Series – which is set in the isolated settlement of Ráth Bládhma in first century Ireland.

In this scene, the woman warrior is speaking with Bearach, a young boy who idolises her, and she attempts to explain to him how being a warrior – gaiscíoch – isn’t all it’s made out to be …

In her own inimitable manner.

—————————————————

‘I wish to be like you, Liath Luachra. I wish to be a gaiscíoch – a true warrior.’

She stared at him in genuine astonishment. A moment later, she started to laugh. It was a rare sound for her and one that was surprisingly soft, if tinged with an underlying melancholy. ‘Ah, Bearach. You are truly the only one to make me raise a smile.’

‘I make no jest, Grey One. I wish to be a gaiscíoch like you. One day I hope to equal your skill as a fighter, your ability to work through the fight in your head. I want to learn courage such as yours. You know no fear when you are Out in the Great Wild.’

‘Ah, yes. The Great Wild backs down when I tramp through its forests. Wolves shit themselves and slink into the undergrowth at my passing. Even the Faceless Ones, the ghosts of hazy glades, hide and tell each other fearful tales of the dreaded Liath Luachra who will come through the shadows to take their heads.’

The youth blushed at her gentle mockery. Picking at a loose thread on the hem of his tunic, he wound it about his index finger, tightening it until the tip of the digit grew white.

‘You are the best of us here in Ráth Bládhma.’

‘Which only goes to show how little of the Out you’ve actually seen, Bearach. There are many out there who would best me in a fight.’

‘But Aodhán says you beat Dún Baoiscne’s finest warriors. He says they fear you, that your reputation for war makes them quake in their boots.’

‘Aodhán needs to harness his tongue. And his fancies.’

‘He told me about the day you first came to Dún Baoiscne with Na Cineáltaí – the Kindly Ones – your fian of a hundred men. He says that you crushed their best fighters in single combat. Humiliated them. That you were too agile, too strong to be defeated.’

Liath Luachra ground her teeth together.

‘I did defeat them. And, yes, I did humiliate them. But that was a mistake for which they never forgave me.’ She shrugged. ‘I understand that now. I’d probably have reacted in a similar manner if I was defeated by someone I considered weaker or in some way inferior.’

‘But you showed them!’ There was a shrill enthusiasm to the boy’s voice that made her cringe.

‘You have a warped understanding of things, Bearach. I accept that the fault is not yours for you base it on the tall tales of those who should know better. I will have strong words with Aodhán about putting such stories in your head.’

The boy looked confused, almost disbelieving. ‘Aodhán has not spoken true?’

Liath Luachra shifted awkwardly on her seat. She was uncomfortable having conversations of such depth with anyone other than Bodhmhall.

‘Aodhán’s claims hold a sliver of truth. I did lead Na Cineáltaí but that band never had more than ten men at any one time. They were brutal men, little more than killers -’ Her voice trailed off. ‘You must understand, Bearach, my life back then … that was a different life. I was a different person. I had a haunting on me, a haunting so venomous that I became little better than a wounded animal: vicious, savage and very cruel.’

Unable to bear his trusting gaze, she dropped her own eyes to the floor. ‘You have seen the way a dog will snap at a wound in its paw.’

The boy nodded slowly.

‘It is the reaction of a stupid beast who knows no better. It experiences pain and immediately thinks it has been attacked. In its attempt to retaliate, to strike back, it hurts itself even more.’

She reached down into the fire and pulled a burning brand from the embers. Part of the wood had burned away and much of it was scorched and black but the tip was still red hot.

‘That was the way of me back in those days. Except that I didn’t strike at my own limbs. No, I was far too smart for that. I struck out at others instead. Bandits, reavers, murderers, sometimes even innocent people who merely looked at me the wrong way, at the wrong time on the wrong day.’

She placed the tip of the burning brand against the back of her left hand. Bearach stared in horror as smoke from the skin rose up, the stink of burning flesh filing the air. Liath Luachra showed no sign of even noticing. Her eyes flared with a ragged intensity.

‘I had a belly full of venom, a heart full of gangrene and battle rage. This world had cut me to the quick and I was determined to hurt it back, to carve its filthy influence out of my heart. I hacked and cleaved a route through blood and sinew and bone when all that time my real target, the one thing I was truly trying to strike, was myself.’

She paused and took a deep breath as she dropped the firebrand back into the fire. Her forehead was sweating profusely. Her heart thundered and there was a sickly taste in her mouth. She focused her attention on these other physical sensations, refusing to acknowledge the pain in her hand.

‘So yes, in a martial sense, that made me strong. It made me impervious to fear and, for a time, to pain. It also made me impervious to those things that make us human: compassion, friendship, affection.’

Her eyes raised abruptly to lock directly on the boy’s. ‘And that,’ she snarled, ‘is what you must sacrifice to be a true gaiscíoch.’

See More

The FREE literary game is live!

Dia Dhaoibh a Chairde/ Hallo Friends!

Welcome to the launch post for Dark Dawn/An Camhaoir Fuilsmeartha.

Through the image link below you’ll be transferred to an experimental format literary game relating to the ancient Irish Fianaigeacht – Fenian Cycle – tales (and to some of my own Fionn mac Cumhaill Series books). 

At heart, it’s the story of a sick warrior who’s convinced – against his better judgement – to try and save a tiny settlement. During the story, that warrior must make decisions – influenced by events in his own life – that can change the outcome.

It’s a very simple story. A very human story.

The game can be experienced through Irish or through English (or both). Naturally, because they’re different languages/cultures, those experiences will differ slightly. When it comes to different cultures, there’s no such thing as a ‘direct translation’.

This project is one I started three years ago as part of Irish Imbas’ ongoing mission to make Gaelic/Irish culture more visible and more understood (and to counter the reams of misinformation relating to Gaelic Irish mythology that pervade the internet). Developed on a shoestring budget, it required a whole new set of skills that I was obliged to learn as I progressed. In that regard, it’s also been something of a labour of love. To be honest, although I’m happy with the final product, I’m also a bit relieved I can finally move onto the next creative project.

Please feel free to share the post with whoever you think might be interested. In fact I’d encourage you to do so as there are still plenty of people out there under the illusiton that Irish/Gaelic is a ‘fantasy’ language. If you’re feeling particularly generous, I’d really appreciate an honest summary of your thoughts/feedback, either through the usual Goodreads review mechanism (here or at the end of the game) or directly by email.

But that’s enough of the intro.  It’s time to jump on in. Just click the link through the image below.

Bain sult as! / Enjoy!

Dark Dawn/An Camhaoir Fuilsmeartha coming 11 May 2021

Introduction:

It’s raining butcher knives and my chest aches but Fiacail has a plan. That’s the way of it!  Little more than two days’ comfort here at Ráth Bládhma and already we’re caught up in its people’s problems.

But … it’s a nice place, I’ll give them that. A secluded, V-shaped valley, deep in the folds of the Great Wild’s crinkled arse. Two forested ridges stretch north-west and south-east, a tight-curving cliff at one end to tuck it in all nice.

The expanse of pasture starts at the western woods – the single access to the valley. It stretches wide and green to a slight rise at the valley centre. That’s where the settlement of Ráth Bládhma’s located. In truth, it’s a secure position. The inhabitants have a clear view on every side. With the gateway bolted, any enemies who did manage to find the valley would not only have to cross that open ground but the barrier of the circular ditch. Then they’d have to climb the earth embankment and palisades to get at the people inside.

Yes, the people of Ráth Bládhma have strong defences.

But that’s not going to save them.

Fiacail says there’s a fian coming, a war-party more than fifty strong. The way he has it, their scouts are already in the valley for he’s seen their sign and suspects they have eyes on us. Within the ráth, we number three fighting men; myself, Fiacail and my cousin Tóla. But we’re visitors passing through. The population of Ráth Bládhma proper sits at seven inhabitants and only two of those – the woman warrior Liath Luachra and the youth Aodhán – are blooded warriors.

And I do not reckon their chances.

LAINSEÁIL AN CAMHAOIR FUILSMEARTHA/ DARK DAWN!

AG TEACHT 11 BEALTAINE!

Tá sé ag cur sceana gréasaí agus tá pian i mo chliabhrach, ach tá plean ag Fiacail. Sin an chaoi a bhfuil sé! Níl muid anseo i Ráth Bládhma ach dhá lá agus tá muid sáite i bhfadhbanna mhuintir na háite cheana féin.

Ach… is áit dheas é. Gleann amuigh ar an iargúil atá ann, go domhain i bpoll tóna an Fhiántais Fhiáin. Tá dhá dhroim faoi chrainn ag síneadh siar ó thuaidh agus soir ó dheas, agus aill chuar ghéar ag an gceann eile a choinníonn gach rud istigh. Tosaíonn an féarach ag an gcoill thiar – sin an t-aon bhealach le dul isteach sa ghleann. Talamh fairsing, glas is ea é, a bhfuil ardú beag ann i lár an ghleanna. Sin an áit a bhfuil lonnaíocht Ráth Bládhma. Déanta na fírinne, is suíomh docht daingean é. Tá radharc soiléir amach ar gach taobh ag muintir na háite. Agus an geata dúnta, ní hamháin go mbeadh ar an namhaid teacht ar an ngleann ar an gcéad dul síos, ach bheadh air an talamh sin agus an díog chiorclach a thrasnú, dul suas an claífort agus, ar deireadh, briseadh tríd an sonnach adhmaid.

Go deimhin, tá cosaint láidir ag muintir Ráth Bládhma.

Ach ní thabharfaidh sí sin saor ón mbás iad ná baol air.

Deir Fiacail go bhfuil fiann breis is caoga laoch ag tarraingt orthu. Dar leis, tá scabhtaí acu sa ghleann cheana féin. Measann sé go bhfuil a lorg feicthe aige agus go bhfuil siad ag coinneáil súil orainn. Níl ach triúr laoch sa ráth; mé féin, Fiacail agus mo chol ceathrair, Tóla. Ach níl ionainn ach cuairteoirí atá ag stopadh ar feadh tamaillín ar ár mbealach. Níl cónaí ach ag seachtar i Ráth Bládhma i ndáiríre, agus níl ach beirt acu siúd ina laochra – an banlaoch Liath Luachra agus an t-ógánach Aodhán.

Agus déarfainn féin nach bhfuil seans na ngrást acu.

Dark Dawn/ Camhaoir Fulismeartha Launches 11 May

On 11 May, the story Dark Dawn/ Camhhaoir Fuilsmeartha will finally be released online. A creative project that’s been in development for almost two years, I’m feeling both relief and excitement at finally having it ready for launch.

Set in 1st Century Ireland, it tells the tale of a dying warrior who’s been assigned to defend the isolated settlement of Ráth Bládhma (future home of Fionn mac Cumhaill) from an incursion of enemy scouts.

Presented in a unique and experimental format, the story will be available in both Irish and English.

The invitation is currently available as a Facebook event. Just prior to the launch, a link will be made available to all those signed up as ‘attending’. That link will provide access to Dark Dawn and particpants can explore it at their own time and leisure.

If you’d like an invite, send me a request through info@irishimbas.com.

I hope you can join us.

How Things Work Out (or don’t!)

It’s interesting for me to look back on some of the older posts and articles in this site and see how my plans and intentions have changed over the years. I recently came an article from 4 years back where I’d outlined some of my book plans including

  • Liath Luachra: Sons of the Land
  • Bodhmhall: The Black Hag
  • Fionn: The Salmon of Secret Wisdom

The first of those (Liath Luachra: Sons of the Land) did go ahead and was, indeed, published but under the title Liath Luachra: The Swallowed. At the point in time where I wrote that article, I knew the book would have a strong wolf element to it. The Irish word for ‘wolf’ is ‘mactíre’ which literally means ‘son of the land,’ so it seemed a logical title at the time. I think I ended up changing it as ‘The Swallowed’ aligned more effectively with the theme of the book.  

Bodhmhall: The Black Hag was a book I’d intended to write as an accompaniment to ‘Liath Luachra: The Grey One’. You can read why that didn’t go ahead in the 2017 article (HERE).  

Fionn: The Salmon of Secret Wisdom is a book I still intend to write but having started the 4th in the series, I quickly realised that there were some important elements to the story that had to take place first before I could even start talking about the famous Salmon. For the next arc in the Fionn mac Cumhaill Series (three more books), Demne/Fionn takes on a far greater role than in the previous arc. He is the titular hero in this after all.

I’m hoping to release Fionn: Stranger at Mullán Bán (the first book in the new arc) during the first quarter of 2022.

Dark Dawn/Camhaoir Fuilsmeartha coming in May 2021

Sometimes it’s best to kill a man fast.

Other times it makes sense to take it slow, to work the movements and the killing strokes in advance.

This is such a time.”

Ireland: First/Second Century

In the isolated valley of Gleann Ceoch, a dying warrior is assigned to defend the isolated settlement of Ráth Bládhma (future home of Fionn mac Cumhaill) from an incursion of enemy scouts.

This experimental format story in Irish and English will be released in May 2021 – final date yet to be confirmed.

Small Pleasures in the Pandemic

It’s always nice when a box of books arrives at the door, a delivery I tend to limit to once a year. Usually, this occurs only when I’m releasing one of my own books (Liath Luachra: The Seeking, in this case) or printing off a small number of books for presents/reviews, or treating myself to a rare book gift from home.

This year however, given the Covid-19 pandemic, there’s a particular poignancy to the annual ritual. I’m currently based in New Zealand (something I’m very grateful for every day) – an isolated island at the edge of the planet. It’s very difficult to make or to receive deliveries here due to the international mail disruption and the reduced number of aircraft carrying goods to this part of the world. To send a book to America from here, can currently take up to four weeks. To Australia (just “across the ditch”) it can take three.

And just last week (early March), I recieved a whole bunch of Christmas mail from Ireland.

This year, I couldn’t get the books I wanted to order from lreland so I focussed instead on updating my own stock. In the scheme of things, of course, I’ve nothing to complain about.

I’m more than happy with that.

Upcoming Projects

With the ‘soft’ release of Liath Luachra: The Seeking, I now have a slight breather where I can mull over future works in the pipeline and consider what’s coming up next.

In terms of “Definitely Coming Soon”, I can confirm priority on the following projects:

(1) Camhaoir Fuilsmeartha/ Dark Dawn
This Irish/English language project will be released in May/June 2021. You can find a little more information on this at: HERE.  

(2) Liath Luachra: The Metal Men
Given that this completes the story in ‘The Seeking’ I’m keen to get this finished and released as soon as possible. I’m feeling pretty confident about getting this out as five chapters are already in ‘close to final’ draft (i.e. they’re written but haven’t yet been touched by the red pens of partner K (my first ‘rough’ reader) and editor Madame Palamino Blackwing.   

(3) Fionn: Stranger from Mullán Bán This novel has been sitting patiently in my drawer for well over a year now. The first six chapters are done and dusted so this will be the immediate priority after ‘The Metal Men’. As usual though, its completion will depend on the intensity of my freelance work and how much publishing time I have available. The first chapter/short story can be found here on the Irish Imbas website (Fionn: The Twisted Trail)

New and Potential Projects

From past experience, I know it’s just impossible to foresee what I’ll be prioritising once these initial three projects are completed. Every year for the past five years, some major event has unexpectedly slammed in from the side and thrown all my well-laid plans to the winds. At present, these are the projects on my work table. Hopefully by the end of the year, I’ll have a better idea which ones I’ll be working on.   

(1) Irish Mythology Project
This is a substantial non-fiction project I’ve been working for over two years. Basically, it’ll explain – in a practical manner – how Irish mythology works, how you can use it apporpriatey and effectively and how you can make it personally relevant (or not).    

(2) Smaller Irish Mythology Project
This is a fiction-based mythology project. Possibly another Short Story Collection – I’m not entirely sure yet.  

(3) A Liath Luachra novella
A prequel-novella based on an event in Liath Lauchra’s life during her first year with Na Cinéaltaí.

(4) Beara 2 and Beara 3
This is a substantial piece of work given the size of the existing book but I’m keen to get this story finished.

(5) An Irish Battle Series 
This is a short, three-book series based on on the events leading up to a major Irish battle and the people who took part in it. 

(6) Cú Chulainn
I’ve also recently been thinking of doing a series on Cú Chulainn (i.e. from an Irish/Gaelic perspective as opposed to the anglicized fantasy stuff that’s usually served up). The Cú Chulainn story is actually one that’ll be very difficult to adapt for a contemporary audience while keeping it culturally authentic. I suspect this will probably take a lot of commitment in terms of time (for research, scoping and actual writing).

Please feel free to let me know if any of these projects sound of interest to you.