The Problem with Series

I was trying to explain to someone yesterday about how I ended up having four different book series on the go at the same time.

Beara: Dark Legends was my first book but it’s the type of book that takes ages to write (not linear and it’s actually two different – but interlinked – stories) so I started the Fionn series.

After two books from that series, I wrote the first Liath Luachra book as a prequel but it ended up being more popular so I wrote a second one. Since then I’ve written two more Fionn books and have a fifth coming out early next year. That series will finish with the sixth book.

When Hollywood showed an interest I had to write two more Liath Luachra books as they wanted enough content for three seasons if it got off the ground. I the added a prequel. As a result, I currently have five Liath Luachra books out.

Needless to say, I get at least one email every month from readers demanding the 2nd Beara, the 5th Fionn, the 6th Liath Luachra etc.

Sheesh!

More on the Beara Trilogy next year!

“A unique merging of beauty and action”

Over the years, I’ve been lucky with some very generous reviews of my books but I’ve only recently realised that I’ve reached something of a peak with ‘Liath Luachra: The Great Wild’.

This book is currently sitting with a five star rating on Goodreads … because every review of the book has given it a five star rating!

That’s not something I’ve ever achieved before and although I know it can’t possibly last, the fact that its reached this point with no launch activity to speak of, and very limited advertising, is quite astounding in itself.

As always, a huge thanks to those of you who’ve made the effort to write a review.

Míle buíochas daoibh!

You can find the Goodreads reviews page HERE

Scene from An Táin

One of the gorgeous initial scenes from ‘An Táin’ by Cló Mhaigh Eo – Ireland’s only Irish-language comic producer (that I’m aware of – feel free to correct me). This involves Meadhbh and Aillill comparing their belongings to see which of them is the wealthier.

The image is by Dublin artist and animator, Barry Reynolds (who subsequently went on to do character design for ‘The Secret of Kells’ animation film.

Shadow Conflicts

These days, thanks to many decades of misinformation (and an unregulated internet), most non-Irish people (and, sadly, some Irish people) can’t tell the difference between a Gael, a Celt, a Viking, a Gaul, a Pagan/Wicca, a Skyrim warrior, a Briton, a Saxon, a Pict, blah, blah, blah, etc. etc. and if you look at many English-language representations (particularly in gaming) you’ll find that they use a mish-mash of completely different cultures for each.

I’ve recently been researching various conflicts and battles between the early European peoples and the Roman Empire and, of course, the long-term engagement between the cultures is far more complicated than you’d think. Interestingly, most of the imagery around this subject also tends to be Eurocentric in nature (the Gauls and the northern German tribes).

The above image by talented French artist Thibault Ollier, pretty much epitomises how most western people visualise those early conflicts. Applying the historical story to the reality to 1st century Ireland means a certain amount of adaptation is going to be an interesting challenge for the next book in the Liath Luachra series if I want to make it work on both a creative and culturally authentic basis.

Tourism in the Irish/Oirish Otherworld

This murky image was taken at Uaimh na gCait (often bastardised into English as Oweynagat) located at Cruachain in Roscommon and its one of the more famous ancient ‘crossing points’ to the Otherworld – a list predominantly derived from literary (i.e. not historical) sources. The site is definitely worth a visit as long as you also visit the nearby Rathcroghan Visitor Centre, and you’re nimble enough to get through the narrow entrance and clamber down into the main cavern.

Over the last forty years or so however, it’s worth noting the development of misinformed fantasy-style narratives around the site and its function (e.g. the Entrance to Hell, the home of the Morrigan, dun-dun-dun!). As a result, you have to take most of the online references with liberal doses of salt.

This pattern of what we generically call ‘Tourism Mythology’ is one that we’re seeing increasingly across the country and its probably something you should keep an eye out for if you’re interested in authentic Irish culture.

I’ll probably be covering the issue in Vóg (the Irish Imbas newsletter) at some point in the near future.  

Corto Maltese in Ireland

Despite a measure of artitistic self-indulgence, I’ve actually come to enjoy Hugo Pratt’s books (some of them at least) but his representation of Ireland during the war of independence is amusingly uninformed.

When his laconic anti-hero (the nautical Corto Maltese) ends up in Ireland, he meets the hilariously named ‘Banshee O’Danann’.

I sometimes wonder whether Pratt was actually very sly, and this was all just part of some obscure joke.

I wouldn’t put it past him.

The Quiet One

Still a few more days to go back here in Ireland and my mind’s already overflowing with sensations, memories, thoughts, and concepts that I’m desperate to get down on paper.

At this stage, I have plans for three new series I want to start – on top of the series I’m currently running – so the remainder of this year looks like it’s going to be absolutely chocker.

This is an image for another Liath Luachra short story I’ve been playing with (which absolutely has to be short as my last ‘short story’ morphed into the full’length book ‘The Great Wild’).

Excerpt from ‘Liath Luachra: The Great Wild’

There was one morning when the world dissolved, obliterated in a downpour that melted the distant islands, then the immediate surroundings as well. Preceded by a cluster of unusually threatening, blue-bruised clouds, the incoming deluge had given plenty of warning. As a result, the girl was comfortably settled under a solitary oak at the tip of the inlet outcrop, cloak tugged tight around her shoulders as she waited to watch the clouds unload their burden.

The downpour rattled the lake’s surface with a startling intensity that she’d not seen before, a ferocious hail that scattered white-foamed eruptions across the water around her. Mirrored by countless ripples on that shuddering surface, the resulting kaleidoscope of movement was giddyingly, but terrifyingly, beautiful.

Tethered to the island by nothing but a thin strip of rock, the girl felt a swell of panic when even that link disappeared, and her existence reduced to the tree above and three paces of the rocky outcrop. Conscious that there was nothing beyond the fusillade of rain, she was struck by a sudden, shocking sense of absence. Terrified at the prospect of being cut adrift, she peered desperately through the deluge for any hint of physical substance, for any trace of natural solidness, for … anything.

To her trembling relief, the downpour eased soon after, and although it seemed to take far too long a time, the outline of the island took substance through the rain. Whole and expansive, the Great Mother’s bulk emerged from the surrounding murk. Slowly, ponderously, it reached across the thin strip of stone, embraced the girl in her fulsome whole and, soothingly, reassuringly, brought her home.

Liath Luachra: The Great Wild was released on 2 June 2023. You can find the details here: The Great Wild

Liath Luachra: The Great Wild Release

I’m currently behind on where I want to be with Liath Luachra: The Great Wild. At this stage, the draft is sitting at over 30,000 words and although I had planned to keep it around that length, the final product is looking more like 40-50,000 (in other words, it’s about 3-4/5 complete).

This means that the final version it won’t be released in April as intended. I’m now postponing release until the start of June (although Patrons and paid newsletter subscribers will get it earlier).

In that regard, I’ve now put it up as a pre-order for Amazon which you can find here: The Great Wild Preorder

The back cover blurb reads as follows:

Ireland : 1st Century

In the deep, green depths of the Great Wild, a naked girl awakes in a forest clearing. With no belongings – bar a cloak and a bloody knife – and no memory to guide her, she must adapt and survive in an unfamiliar world.

With every possible kind of danger.

Ten Years Later

As of today, it’s 9 years exactly since I published FIONN: Defence of Ráth Bládhma – my first attempt at producing a genuine (as culturally authentic as I could make it) Irish historical/ adventure novel.

To be honest, at the time I had no idea whether people would like it. I’d never written anything similar before and given my insistence on using Irish cultural concepts and – occasionally – language, I assumed most people would be scared off.

Nine years on, four books in the Fionn mac Cumhaill Series have been published and five books will have been published in the spin-off series (The Irish Woman Warrior Series) by April this year.

Since their initial publication, several have been bestsellers, one of the series was fully adapted for a television series, another for a video game. I’ve been very lucky to have worked with some amazingly talented people at the top of their game in different sectors and I’ve learned a lot over the last decade.

2023 will bring some major changes in the way I work. My longer-term intent is not just to publish books but to revitalise Irish genuine cultural knowledge in a meaningful way and that requires working in other formats as well as books. As a result, over 2023, although I’ll be increasing the amount of time I spend writing and publishing, I’ll also be expanding my work in the production of other projects, the details of which will be revealed when, and if, they become available.

A key principle I adhere to is that any project I work on must retain its cultural authenticity and meaning. That approach places practical limitations on what you can do with an international audience, but it also forces you to apply levels of innovation and creativity that provide their own opportunity and reward.

I’d like to say ‘thank you’ to all of you who’ve taken the time to support the work I do. I hope you continue to enjoy what I do over the next decade

Some readers might find this image a little familiar.

That’s because it’s remarkably similar to the layout of the ‘Crannóg‘ used in the book ‘LIATH LUACHRA: The Metal Men.

In fact, this is an early image of the ráth at the Irish National Heritage Park. It has a very similar layout to the fictional crannóg as, in general, there wasn’t major differences in terms of structural designs back in the day. People used the natural materials available and the fundamental designs of what worked were easily adapted to many structures.

Our ancestors were eminently practical as, a lot of the time, their lives depended on it. 

Initial thoughts on ‘LIATH LUACHRA: The Great Wild’

Initial thoughts.
Predominantly one character alone in the forest. No dialogue apart from limited self-dialogue.

This book is quite an experimental work for me but one I’ve really felt compelled to write. I’m particularly enjoying the challenge of trying to make the story work effectively (in terms of mystery and action) within such a limited setting.

If I get it wrong, the final product will be like that ‘wanky’ art-house movie you once got dragged into, to please a friend or partner.

More on the book here: THE GREAT WILD

Coming in 2023

For all of the bad news over 2022 (the Ukraine War, Climate change disasters, attacks on democracy etc.), the year was a relatively calm time at Irish Imbas Books and we managed to release a trio of works that I’m quite proud of.

In March, the fourth book in the Irish Woman Warrior Series – Liath Luachra: The Metal Men – was released (and well received by followers of that series). This was accompanied by a supporting short story, Liath Luachra: The Consent (note: this is only available through this website) which resolved a gap in the plotline that I hadn’t been able to cover in the books without disrupting the flow (it brings the character Bressal back into the series). Overall, I’m very satisfied with both

Meanwhile, in about two weeks, the digital version of FIONN: Stranger at Mullán Bán, book four in the Fionn Mac Cumhaill Series finally gets released.

This book marks a step change in the direction of the series as the maturing Fionn (Demne) starts to make his mark and begins his struggle to solve the mystery around his heritage. As always, he’s supported by his three guardians: his aunt – the bandraoi Bodhmhall, the woman warrior Liath Luachra, the eccentric womaniser Fiacail mac Codhna, and a number of other characters from Rath Bládhma (and further afield).

At this stage, I’ve seen three reviews for the book. All three have been very positive, which is always something of a relief.

What’s coming in 2023?

For the next six months, I’ll be working full time in the creative space and focused on completing the following projects:


Liath Luachra: The Great Wild.

The Great Wild is a prequel to the Irish Woman Warrior Series. The first ‘chapter’ is now complete but its slightly experimental nature means I’m still a bit uncertain as to what the final product is going to look like. The target for release to Patrons is Mar/April 2023. I’m not sure when it’ll be publicly available, yet.

Liath Luachra: The Raiders

This isn’t a new book but a repackaging of two previous ones (Liath Luachra: The Seeking and Liath Luachra: The Metal Men) so if you’ve read those, this probably won’t be of interest

Given the strong positive feedback on these books, I wanted to bring the two stories together into a single narrative (which had always been the original intention). This will require some minor rewriting to make the story more accessible for people who haven’t read the other books, but it shouldn’t be significant.

‘The Raiders’ will be exclusive to Amazon for a few months (which means the digital versions of Liath Luachra: The Seeking and Liath Luachra: The Metal Men will be unavailable from all other bookstores over that time. If you’re thinking about getting either of those books from Apple/Kobo/Google Play/Barnes & Noble/ etc., I’d recommend getting them before Christmas as they won’t be available from those suppliers for several months.

Fionn: The Betrayal

Are you a follower of the Fionn mac Cumhaill Series? Have you ever wondered who facilitated the deadly ambush in Fionn: Traitor of Dún Baoisnce or how’The Adversary’ managed to obtain physical tokens from Bodhmhall and Liath Luachra? Have you, perhaps, wondered what exactly happened at the great battle of Cnucha (where Fionn’s father Cumhal was killed) or why so many vested interests have it in for Demne/Fionn?

If you’ve answered ‘yes’ to any of the above, then Fionn: The Betrayal may be for you. This series is slowly but surely drawing to its conclusion, so I’m planning to resolve a number of plotlines with this particular book. It won’t be the last in the series, but it will certainly answer some of the mysteries lurking in the background since book 1. There’s also an overlap with the Liath Luachra Series in there although I don’t think you’ll be able to identify it just yet.

The projected release date for this is June/July 2023.

Beara: Cry of the Banshee

Yes. It’s finally happening. After six or seven years of distraction with the Fionn mac Cumhaill Series and the Irish Woman Warrior Series, I’m finally returning to West Cork and Beara, the most south-western point of Ireland. There, more skullduggery and mythological detective work, await the ever-cynical Mos O’Suilleabháin (O’Sullivan).

Beara: Dark Legends was my first self-published book and it took about 4 years to research and write. It was quite successful at the time of its release, but the effort of producing it left me wrung out to the point where I couldn’t cope with starting the second book (hence the detour into the Fionn and Liath Luachra series). I’m now satisfied that I can get this series up and running again, so expect to see an announcement towards the end of 2023.

Other Projects

There are also a number of other projects sitting at different stages of development or completion, that I’ll also be working on over 2023. Some of these include audiobooks, film/tv scripts, a non-fiction project (The Fundamental Concepts of Irish Mythology) and two more ambitious projects that I’m not in a position to talk about yet. These kinds of projects are hard to scope out in terms of timelines but they’re important from a creative perspective in that they allow me t explore different aspects of storytelling.
I’m also hoping to carry out at least one or two collaborations over 2023 so if you have an interesting (and appropriate) project, send me an email before I get overloaded. 

All in all, 2023 is looking like a very important year from my perspective. Roll on New Years Eve!

FIONN: Stranger at Mullán Bán – First Reviews

The first reviews from the paperback are just starting to trickle in. Usually, by the time I release a book I’m far too close to tell if its any good or not. As a result, it’s always a bit of a relief to find the reviews are positive.

The digital version gets released on on 15 December.

The first review from Padraig O’Mahony can be found here:

The second review, from Wayne McAuliffe is here:

Huge thanks to Wayne and Padraig. Go raibh mile maith agaibh!

Another Fionn mac Cumhaill Book

I’m currently in the process of outlining the next book in the Fionn mac Cumhaill Series, which will finish up the adventure commenced in ‘Fionn: Stranger at Mullan Ban‘ (but not the series).

All going well, I’m aiming to have this out in Oct/Nov 2023.

This current arc develops the ongoing direction of the series a little further. Demne/Fionn – the titular hero – is growing up and takes a more proactive role in the adventures but his three guardians (his aunt Bodhmhall, the woman warrior Liath Luachra, and the gregarious Fiacial mac Codhna) have their work cut out for them as they try to identify who’s behind the latest threat against their charge.

Cue more adventure, betrayals, and violence with a sprinkling of friendships and romance.

Liath Luachra III Cover Image

One of the early variations from artist Brian Mahy when developing the cover for Liath Luachra: The Seeking.

This was at a point where we were still playing with the colour palette and we hadn’t reached the final ‘look’. I’d asked Bryan to get me a somewhat shocking/bracing cover that reflected the anger/frustration of the character and his final version image certainly delivered.

So much so, that Facebook banned the image from its shop front (one of the many reasons I don’t bother adding anything new there). Hilariously, the initial reason given was because they didn’t permit the sale of animals (the screening programme thought she was a zebra). When I appealed that, the decided the image was too lewd.

That’s why I love running this on their newsfeed (where such apparently lofty regulations appear to be dispensed with)!

CON MÓR

Macnas have put together another impressive art creation for the Halloween celebrations in Galway (down at Fisheries Field, on the banks of the River Corrib) this year. It’s accessible on Saturday 29th & Sunday 30th October. [Images from Macnas]

The blurb is as follows:

Inventors and explorers from all over the world are baffled by startling evidence of an ancient giant living underneath the Fisheries Field in Galway city. Professor Marjorie Morrigan, an expert on “Giants & Where They Come From”, reported – “This giant seems to have been here for centuries. There is a very large iron nose, so big and rusty, you could park a car in one of the nostrils.”

Professor Marjorie Morrigan went on to confirm that this big giant is called Con Mór and originates from the ancient ‘Island of Giants’ off the coast of Connaught. Con Mór was so famous across Ireland for his love of birds and nature, his friends used to call him ‘The Bird King.

Some of the fantasists are probably going to miss the fact that this is a production with kids in mind, so I’ll just clarify here … This is not true!  

But it’s still worth a visit!

Future Productions

The 4th book in the Fionn mac Cumhaill Series (Fionn: The Stranger at Mullán Bán) is now a close to final draft (another three to four weeks are required to complete the reviewing and editing process).

Irish Imbas Patreon supporters should be contacted by the end of October. The book gets officially released on 14 December.

Meanwhile, work has commenced on Liath Luachra: The Great Wild which we’re hoping to complete by March/April 2023.

‘The Great Wild’ will be a shorter novel that outlines the beginning of the future woman warrior’s adventures and the events that made her the person she is.

As 2023 progresses, Irish Imbas outputs should increase with two additional publications. That will most likely include one of the following:

  • Fionn: The Betrayed (Book 5)
  • Liath Luachra (Book 5)
  • Beara (Book 2)

Production will also commence on a number of audiobooks (probably the Beara Series) and one or two additional non-book projects.

Overall, 2023 is looking like a busy year.