Liath Luachra Optioned as a Potential Television Series

I’m pleased to announce that Liath Luachra: The Grey One has been optioned for the screen/television with Graisland Entertainment.

An action/adventure story based in first century Ireland (and linked to the famous Fenian Cycle), Liath Luachra: The Grey One was first published by Irish Imbas Books in December 2015.

The Context:

Late last year, I received an email expressing an interest in adapting my book Liath Luachra: The Grey One for the screen. The source of that email was Graisland Entertainment, an entertainment partnership between Michael Grais and Carlos Barbosa who (in association with Zero Gravity Management) focus on producing original features films and television production.

Having read the book, Michael Grais was convinced of its potential as a television series, preferring that medium over a feature film as it allowed more time to develop characters and storylines that could delve deeper into the “Fenian” Cycle.

After several weeks of in-depth discussions and negotiations, I signed the option papers.

That was in April 2019.  Since then, I’ve kept pretty tight-lipped about the development as:

  • I didn’t want people to assume a screen adaptation was certain – my (very rough) estimate is that out of every book optioned, less than one in a hundred proceed to the next step (and there are a lot of next steps); and
  • I was too busy enjoying the adaptation process

To be honest, I’ve been extremely fortunate.  Liath Luachra: The Grey One has been adapted for the screen (i.e. part of the novel was rewritten as a television pilot screenplay) by Michael, who’s an incredibly accomplished screenwriter, creating the story for “Poltergeist” (probably one of the most successful horror movies of all time), “Great Balls of Fire”, “Cool World” and many more. The real clincher for me however, was one of his first screenplays: “Death Hunt” a film I’ve had in my collection for years.

I’ve also been very fortunate in that Michael was generous enough, not only to share various drafts of his screenplay, but to allow me to input via comments and suggestions. This effectively meant, I was not only party to seeing the process of how a book was adapted but learning by watching one of the best screenwriters in the business at work. There’s a real fire to Michael Grais I admire. A consummate artist, he’s attained (and maintained) a level of creative intensity and professional output most people could only aspire to.

Everyone knows that writing for the screen is very different to writing for a book. All the same, until you actually do it yourself (or see the process in action), you can’t really understand how different it is. When you’re writing a book, you’re essentially creating a wholly immersive experience for the reader; a richly detailed world, in-depth characters, narration and dialogue that pulls the reader deep into the story.

When writing a screenplay, the approach seems quite different in that the story is predominantly pared back to plot and dialogue. Most of the other (visual etc.) immersion components are interpreted and developed by other members of the movie/television production team. For me that was probably the most critical learning.

At heart, the novel Liath Luachra: The Grey One is about a defiant and resilient young woman struggling to survive in the brutal, male-dominated world of first century Ireland. In terms of tone and style, the story is very much ‘dark adventure’ and since its publication in 2015, several people have described it to me as “An ancient Irish Girl with the Dragon Tattoo”. Historically, culturally and linguistically, the book is as accurate as I could make it. It introduces a number of ancient Gaelic cultural concepts that many people aren’t aware of and it aligns accurately with the existing Fenian Cycle and other Irish mythology.

At present, Graisland Entertainment are pitching the proposed television series to key players in the television industry. A screen version of that same story, by necessity, would have to undergo some changes given that its being transmitted through a different format. Nevertheless, I’m confident that Liath Luachra’s story is in capable hands and I look forward to seeing the final product if, and when, it happens.

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Brian O’Sullivan

Born in county Cork, Ireland, Brian O’Sullivan is an author, mythologist and cultural commentator. Currently based in Wellington, New Zealand, Brian is director of Irish Imbas, a company specialising in the research/analysis of ancient Irish cultural knowledge and belief patterns (‘Irish mythology). Irish Imbas Books, translates the more workable pieces into narratives and learning material for a contemporary audience.

Since 2012, Irish Imbas Books has been publishing fiction and non-fiction that incorporate strong elements of Irish culture, language, history and mythology. These include the ‘Irish Woman Warrior Series’, the ‘Fionn mac Cumhaill Series’ and several others.

 

Michael Grais (Graisland Entertainment)

From his association with Steven Spielberg, Grais co-wrote the mega-hit POLTERGEIST and co- wrote and produced the sequel, POLTERGEIST II. Grais also executive produced the film GREAT BALLS OF FIRE (starring Dennis Quaid, Alec Baldwin and Winona Ryder) and co-wrote, produced, and financed the hugely successful MARKED FOR DEATH for 20th Century Fox. Other box office hits written or produced by Grais include Steven King’s SLEEPWALKERS, COOL WORLD (starring Brad Pitt, Kim Basinger, and Gabriel Byrne) and WHO KILLED ATLANTA’S CHILDREN, the highest rated movie of 2000 for Showtime.

An accomplished showrunner in episodic television, Grais oversaw production on 22 episodes of the syndicated series, THE IMMORTAL, produced and directed THE PROMISE LAND (in association with University of New Mexico) as an Internet series for STRIKETV.

Mr. Grais’ films have garnered over half a billion dollars in box office receipts.

IMDB – Michael Grais

 

Carlos Barbosa (Graisland Entertainment)

Born in Bogota, Colombia and trained as an architect with a Masters degree from Tulane University, Carlos was recruited by architect Charles Moore’s Los Angeles firm of MRY which brought him to Los Angeles where the world of designing for the silver screen became a real possibility and an alternative career.

Ultraviolet, a Roger Corman film project, was Carlos’ first credit as a Production Designer and his hands-on education into film making. Today Carlos’ credits as a production designer include GODLESS, MAGIC CITY, season eight and the pilot of 24 (for which he was nominated for an Emmy), the pilot for TERRA NOVA, LOST, CSI-MIAMI, STUDIO 60, COACH CARTER, THE INVISIBLE, HURRICANE SEASON and many more.

In addition to filmmaking Carlos continues to practice as an architect and has completed projects around the world.

IMDB – Carlos Barbosa

Contact Details:

If you have further queries or would like to arrange an interview, Brian O’Sullivan can be contacted at info@irishimbas.com

The Warrior Woman

The Woman Warrior

Writing Liath Luachra – The Grey One turned out to be a lot harder than I’d anticipated. Most of it was written over a miserable New Zealand winter (in Wellington, at least), we had a number of other strenuous work contracts on and constant repair work on the house meant it was difficult to focus at times. This slowed down the writing immensely but, to be honest, in some ways I think this was a good thing. When you push yourself to write a pre-determined plot you can end up writing an almost perfect outline that lacks genuine emotional resonance. When the plot’s clear in your head but you take additional time to work through the different scenes in terms of characterisation, motivation, additional twists and so on, the story usually ends up much more powerful and dramatic for that.

Although ‘The Grey One’ is essentially a ‘stand-alone’ prequel to the Fionn series, for me it was an interesting opportunity to explore the dynamics of war-parties and inter-tribal relationships in Iron Age Ireland. There’s a surprising amount of material available on early war-parties – particular on fian – although, as always, you have to take what’s written with a grain of salt. The Church in Ireland hated them with a passion and, hence, wrote very negatively about them but other sources describe them as a pragmatic part of society at the time. Interestingly, the word ‘fian’, eventually disappeared out of common usage and instead, the plural noun ‘Fianna’ was used. This is, of course, what most people mistakenly believe to be the name of the war band led by Fionn mac Cumhaill (as well as the origin of the more modern term ‘Fenian’).

Having a single female protagonist in a male-dominated world (particularly one involving violence) has proven a particularly interesting challenge in that it creates powerful tensions between characters that I normally don’t delve into in great detail. Obviously, the main one is that of sexual harassment/coercion – particularly with more vulnerable younger women – and that’s dealt with pretty bluntly throughout the novel. Most of my previous books have strong female characters but it’ll be interesting to see what people think of the approach I use in this particular one.

When it comes to female warriors in the ancient world, there are of course, occasional snippets available in the historical sources but, again, you really have to take care with these as well. Most of the writers tended to be male and that almost certainly influenced their descriptions and interpretation. It’s also probable that at least some of them sensationalised the topic just as much as in contemporary times. The truth is that, for some very obvious practical reasons, women didn’t tend to engage in physically dangerous and violent combat unless there was a particularly compelling reason to do so. Given that ‘The Grey One’ is a work of fiction with elements of fact, this is something I’ve had to dance around somewhat carefully.

To give people a sense/taste for what the book’s about, I prepared a three-chapter pre-launch teaser in ebook form under the title ‘The Warrior Woman’ which went up on Amazon last week. Being Amazon of course, they insist on charging a minimum of 99 cents however if you want a free copy in mobi. (Kindle) or ePub (Apple, Kobo etc.) you can find one at Smashwords or at Noisetrade. If you read/print off your computer you can get a good, old-fashioned PDF document here under ‘Download sample chapters’.

This book itself becomes available through Amazon on 4 December 2015. Hardcopy versions will also be available in hardcopy through Amazon (sometime in December) and by ordering through other bookshops (from February). If you really, really, absolutely have to get an ePub version just email me though the website and I’ll see what I can do.

Sample Chapters for ‘Liath Luachra – The Grey One’ now available

 

Liath Luachra cover

After numerous interruptions, distractions and rewrites, the final draft of “Liath Luachra – The Grey One” is nearing completion and a two chapter ‘sampler’ ‘is now available here on the Irish Imbas Books website.

I’m in the process of tidying up the last chapters prior to final editing but the finished book should be available at the end of November (about 6-7 weeks). For those who are interested, the back cover summary reads as follows:

Ireland 188 A.D. A land of tribal affiliations, secret alliances and treacherous rivalries.
Youthful woman warrior Liath Luachra has survived two brutal years with mercenary war party “The Friendly Ones” but now the winds are shifting.
Dispatched on a murderous errand where nothing is as it seems, she must survive a group of treacherous comrades, the unwanted advances of her battle leader and a personal history that might be her own undoing.
Clanless and friendless, she can count on nothing but her wits, her fighting skills and her natural ferocity to see her through.
Woman warrior, survivor, killer and future guardian to Irish hero Fionn mac Cumhaill – this is her story.

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I have to admit, the story’s been an interesting one to develop in that it’s darker, grittier and much more character driven than some of my other work – particularly interesting when writing from the perspective of a woman with violent tendancies (a big thanks to my ‘advisors’). Although it’s a stand-alone work, it’s also a prequel of sorts to the Fionn Mac Cumhaill series in that it deals with the backstory to one of the main characters from that series.

Unfortunately, the sample’s available in PDF form only as we’re holding off on ebook conversion until the final draft has completed the editing process.

Numerous people have expressed interest in getting their hands on this so I will keep posting as things develop.

Final Cover for Liath Luachra – The Grey One

Liath Luachra cover

Some months ago I mentioned that I was writing a prequel to the Fionn mac Cumhaill series entitled Liath Luachra – The Friendly Ones. The latter part of that title referred to the mercenary group Na Cinéaltaí (The Friendly Ones) originally mentioned in FIONN: Defence of Ráth Bládhma and to which the character Liath Luachra had at one point belonged. After some feedback from various people, the title name was changed to Liath Luachra – The Grey One and the final cover completed (at last!).

Some of you will have recognised An Grianàn Ailigh (the Grianán of Aileach) there in the background. An ancient stone structure up in Donegal that’s believed to date back to around 1700 B.C.,  I passed it by on my way to visit the ever-amazing Mel and Ruairidh last year. For the purpose of the the story, I actually transferred the Grianàn south and east to northern Leinster. It’s a pretty amazing place with spectacular views that I’ll write about again at some stage.

This particular book basically came about about as I was keen to explore some research I’d carried out on tribal dynamics and on the use of fian (the original word for a ‘war party’ but also the word that later became ‘fianna’) in pre-fifth century Ireland. I was also keen to provide some additional background context to the character of Liath Luachra in the Fionn mac Cumhaill series.

The book currently has it’s own page on this site and although it won’t be released until September/ October this year, I will be putting a sample chapter up in the next two weeks or so.

The back cover blurb reads as follows:

Liath Luachra – The Grey One
Ireland 188 A.D. A land of tribal affiliations, secret alliances and treacherous rivalries.
Youthful woman warrior Liath Luachra has survived two brutal years with mercenary war party “The Friendly Ones” but now the winds are shifting.

Dispatched on a murderous errand where nothing is as it seems, she must survive a group of treacherous comrades, the unwanted advances of her battle leader and a personal history that might be her own undoing.

Clanless and friendless, she can count on nothing but her wits, her fighting skills and her natural ferocity to see her through.

Woman warrior, survivor, killer and future guardian to Irish hero Fionn mac Cumhail – this is her story.

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To be honest, it always feels a bit weird doing the whole back cover blurb thing. Obviously, you want to give people some idea what the book’s about and try to make it sound interesting (with a limited number of words). At the same time though, it’s hard not to find yourself falling into cliché. To my ear, the blurb often rings wincingly melodramatic at times. I guess this was as good as I could make it without taking it all WAAAYY too seriously.

Hope you enjoy!