A River Scene

In the ‘Fionn mac Cumhaill Series’ of books, there’s little love lost between the woman warrior Liath Luachra and Muirne Muncháem, mother of Fionn mac Cumhaill. This little scene from FIONN: The Adversary demonstrates how they have to work to get along to survive the hazards of the Great Wild.


On the southern bank of the river, the warrior Liath Luachra sat contemplating her reflection. The still pool, located to the side of a slow-flowing inlet, mirrored her haggard expression with unsettling accuracy. Her face was gaunt, her eyes framed by black rings, the high cheekbones sharpened by the shaded hollows beneath. The physical evidence from the toll of days of hard running and combat was impossible to ignore. Of more concern however was the worrying sense her internal resilience had also diminished, withered not only by the gruelling journey but the loss of Bodhmhall and Demne.

Her eyes turned to regard the coursing river with a mixture of bitterness and trepidation. A fast-flowing stretch of surging white water, just the sight of it was still enough to make her shiver. Less than a day earlier, she’d barely managed to crawl from its liquid grasp, half-drowned and at the limit of her endurance. Stretched exhausted on the sandy bank, she’d wanted nothing more than to lie there and sleep. Instead, she’d somehow forced herself to her feet and stumbled downriver, combing the bank for Bodhmhall and her nephew.

Several hundred paces later, numb with fatigue, she’d crawled into a cluster of fern inside the treeline, curled into a damp ball and promptly passed out. Later that afternoon, when she’d come to her senses, she felt stiff and cold and far from recovered. Staring up at patches of sky through the breaks in the forest canopy, she could tell from the grey quality of the light that nightfall was closing in. Despite feeling every bruise, every individual cut, scratch and strained muscle, she’d pushed herself off the ground and started searching again.

By the time dusk seeped in, she’d still found no sign of Bodhmhall or Demne although she did locate Muirne Muncháem and Gleor Red Hand. The Lamraighe couple had washed up together on a short mud flat over a thousand paces downriver from where she’d collapsed. Despite the gentle incline up to more solid ground however, they hadn’t progressed beyond the water’s edge.

Gleor, unconscious, had an ashen pallor that matched the hue of his greying beard. The Lamraighe leader’s face bore numerous cuts and bruises and she could see washed out bloodstains on his tunic, although she was unable to tell if they were his.

Muirne – the Flower of Almhu – normally a woman obsessed with her appearance, was sitting dismally in the mud beside him, caked in sludge and filth. Marks in the surface of the mud bank revealed how her attempts to shift her husband towards the bank had been stymied by the stocky weight of his body.

The two women had stared bleakly at one other for several heartbeats, their expressions lacking any warmth. Without a word, the Grey One had abruptly turned her gaze away and started off downriver. Muirne’s despairing pleas had trailed her until, finally, she’d halted and turned sharply to retrace her steps.

Cursing under her breath, she’d helped the Flower of Almhu drag the insensible Gleor up onto the bank and into a small clearing several paces inside the trees. Using her sword – miraculously, still in its scabbard – Liath Luachra had cut some saplings and constructed a rough lean-to in which they’d placed the comatose old man.

Not a single word was exchanged over the entire period the two women worked together. Holding the Lamraighe couple responsible for their predicament, Liath Luachra bore no love for either of them and knew the feeling was mutual. Despite this, when the shelter was complete, she’d crawled inside to sleep beside them, too tired to question why she’d returned to help them.

Too tired to do anything but sleep.

The Hunt

A section from ‘chapter two’ of FIONN: Defence of Ráth Bládhma. In this scene, the woman warrior Liath Luachra is out hunting with her enthusiastic young pupil, Bearach. She’s instructing him in the practicalities of the hunt.

Further detail on the book is available through the link.

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They’d been stalking deer sign for the best part of the morning, following the meandering tracks through the frozen hill country east of Sliabh Bládhma. Liath Luachra estimated that there was one, possibly two, animals. Bearach was convinced there were at least four.

But then he’d always been an optimist.

Liath Luachra relaxed and slowly eased her grip on the javelin. She’d come to a stop in the murky shadow of one of the many trees coating the lower slopes and although she continued to scrutinise the terrain for movement, she was relatively sure the animals were not present.

As sure as she could be.

It was difficult to be certain from the most recent imprints they’d found. The snow cover was inconsistent among the hills and the substance of the previous fall had melted in the unexpected morning sunshine. Adding to the challenge was the fact the tracks alternated between dense wood land where the ground was still soft enough to leave a clear track, and rockier ground where the prints were easy to lose on the rough stone surface.

Liath Luachra exhaled a mouthful of ghost breath into the chilly air and watched the breeze snatch it away. Although she’d never admit to it, she didn’t particularly enjoy hunting in winter. In her experience, the physical effort and the sheer discomfort greatly exceeded the rewards. Certainly, there was no comparison to the hunt in warmer months. In summer, late spring and even early autumn you could simply choose a comfortable hiding site at one of the animals’ favourite feeding grounds, easily identified with experience and patience, and wait for the animals to come to you.

That, of course, was always better.

Training the young Fionn mac Cumhaill

A representation from illustrator Arthur Rackam of Liath Luachra teaching Demne (the young Fionn) at a very early age.

It’s actually a visual representation of a scene from Macgnímartha Finn where Liath Luachra and the young Fionn chase other around a tree with a switch.

You have to love the matching outfits.

Who was Fiacail mac Codhna

Fiacail mac Codhna is a swaggering and irrepressible warrior from the Fionn mac Cumhaill Series, based on the original Fenian narratives. Handsome, charming, and shrewdly strategic in battle, Fiacail’s potential for tribal greatness is undermined only by an over-sexed libido and a strong weakness for women, particularly where it relates to Bodhmhall ua Baoiscne, sometimes – but not always – portrayed as the aunt of Fionn mac Cumhaill.

Previously bonded to Bodhmhall, Fiacail’s tomcat behaviour eventually led to the dissolution of their relationship, something he still regrets many years later.

Fiacail mac Codhna’s quite a lot of fun as a character. He can be charmingly crass at times – particularly where it relates to sex – but his humour and genuine attraction to Bodhmhall means he’s a credible third player in the love triangle with Bodhmhall and Liath Luachra. His bawdy humour and blunt demeanour, meanwhile, offers welcome relief from some of the more serious and intellectual characters in the series.

When not chasing women, Fiacail likes long walks in the mornings (usually naked), having conversations with Great Father Sun. Much of this involves trying to convince Father Sun not to cause the end of the world but there’s also the occasional attempt to negotiate the gift of a pony.

Fiacail turns up on several occasions over the course of the original Fenian narratives, usually as a kind of foster father/advisor to the young Fionn mac Cumhaill. In some of the manuscripts however, he’s referred to as a ‘reaver’.

In modern Irish, ‘fiacail’ is actually the word for ‘tooth’ so it seems an unusual name for a character. Sadly, the name is so old even the Fenian narratives in the original manuscripts offer little explanation for its origin. As a result, I had to come up with own rationale

Goll mac Morna

Military leader of Clann Morna (not the chieftain), Goll mac Morna takes on a much larger role in Fionn mac Cumhaill’s life as the core Fenian narrative progresses.

Interestingly, you rarely see much about Goll from the English web content publishers (generally, because they don’t really understand how Gaelic culture works in the Fenian narratives) but Goll is actually quite the fascinating character when you get to know him.

All the same, you still wouldn’t want to meet him alone on a dark night.

Seven Fianna

I came across an interesting project last week by artist Zhaochen Vincent Wu (based in the States) who was working on a cross-cultural proposal merging Akira Kurosawa’s ‘Seven Samurai’ with the Fenian stories.

He explains it as follows:

“This set of design is for my project “Seven Fianna”, which is an adoption to the classic movie “Seven Samurai”. My version took place in Medieval Ireland: A Mountain Spirit robs and kills shepherds and their herds from a small village. The village lost almost all food and sacrifice to the Gods. In order to save the village, the village head hired the “Fianna” to fight for them.”

Obviously, this reveals that the artist had a very limited knowledge  or understanding of Irish culture, what a fian was, etc. etc.

I have to admit, blending themes and elements from two or more different genres can often produce some interesting work however when you attempt to do it with two different cultures, it its a whole different ‘kettle of fish’. It’s not uncommon to see such projects ending up with a complete mess of a final product.

Intriguing though the concept of a potential blend of ancient Irish culture and Japanese culture might be, the truth is that it’s actually the individual resonance and authenticity of those different cultures, that makes them interesting. Once you meld one with the other you end up with something completely different (a bit like melding colours like yellow and green to make the colour blue), The final product has no cultural integrity or authenticity and, as an  entertainment, will probably resemble a generic fantasy story at best.

That said, I could be wrong. It may be possible to create a narrative product that successfully merges two cultures.

I just haven’t come across one yet.   

Sometimes you Need a Second Blade

FIONN: The Tightening Trail‘ goes out to ‘Paid’ newsletter subscribers in the next two weeks (once the final edits are done).

This – the penultimate book in the series – will be released wide, later this year (in June or July). There’s a link to it in the comments below:

Much of the story in this work concerns a difficult and dangerous journey across the Great Wild. This time, however, having learned from previous mistakes, Liath Luachra (The Grey One) is keen to ensure she has a spare blade in her sheath. This scene outlines some of her planning with Gnathad – another warrior – in this regard.


A small lean-to shelter had been constructed just inside the treeline and when the Grey One arrived, this was occupied by the fair-haired Gnathad and her foster son, Bran. Alerted to her approach by the rustle of movement through the foliage however, both had emerged to stand waiting, javelins raised, when she stepped out of the trees to their rear.

‘Grey One,’ greeted Gnathad. She lowered her weapon to rest the haft on the ground. ‘This is a surprise.’

Bran remained silent but he dipped his head to acknowledge the woman warrior’s appearance.

Liath Luachra returned their greeting with a cursory nod of her own.

‘A word with you, Gnathad.’

She glanced at Bran and, taking the hint, the youth kissed his foster mother on the cheek and started back along the summit path. Both women watched him go, waiting in silence until the sound of his footsteps had receded.

‘You should talk to him, Grey One,’ Gnathad suggested at last. ‘Bran still bears the shame of his actions from your last excursion together.’

The woman warrior shrugged.

‘Bran remedied his errors through his deeds on the return trip to Ráth Bládhma.’

‘Then perhaps you should make that clear to him. Young people don’t always grasp the unexpressed word. Sometimes it’s best to simply say it aloud.’

Liath Luachra made no response as she glanced back along the trail. The distant sound of Bran’s movement could now barely be heard. She turned her gaze back to the Coill Mór woman.

‘I have a task for you, Gnathad.’

‘A task?’

Gnathad’s curiosity was plain to see.

‘Yes. The travel party leaves at dawn tomorrow.’

The fair-haired woman perked up at that.

‘You’d have me join the travel party? Accompany you with the techtaire?’

‘No.’

‘Oh!’

The disappointment in her voice was audible.

‘I’d have you follow us.’

Gnathad went quiet at that, watching the Grey One warily because of the initial disappointment. Over the years, she’d taken to wearing her hair in tight braids in imitation of the Grey One. Some of these thick, fair strands had worked their way loose, and now she brushed at them fretfully to clear them back from her eyes. ‘What do you mean?’ she asked at last.

‘I’d have you follow the travel party. As a hidden rearguard.’

Liath Luachra paused and turned to look out over the green stretch of the western lands, the endless serrated horizon of green treetops against the blue-grey sky. Her features retained their usual dispassion and her voice remained steady as she spoke.

‘The last time we dispatched a travel party from Glenn Ceoch, events didn’t go as planned. Tadg mac Nuadat had a force waiting beyond the Bládhma hills. They took up our trail and stalked us in stealth, eventually arranging themselves at our rear so we were driven into an ambush.’

The woman warrior turned to fix her grey eyes on the other woman.

‘That’s a snare I’d skirt on this occasion.’

Gnathad considered her words for a moment.

‘It’s unclear to me what you’re proposing. What is it you’d have me do?’

‘Before I say more, I need to know if this is a task you’d be willing to fulfil.’

The Coill Mór woman didn’t hesitate.

‘Of course, it is.’

The Grey One grunted softly in satisfaction.

‘Then, tomorrow, once the travel party’s departed, gather what supplies and weapons you need in preparation for your own departure.’

‘My own departure? We don’t leave together?’

Liath Luachra shook her head.

‘And tell no-one of your intention to leave.’

‘No-one?’

‘Not even your children.’

Gnathad frowned at that.

‘My children are old enough to lead their own lives without my interference. All the same, that won’t prevent them from worrying should I disappear without trace.’

‘Then provide them with a plausible excuse. Tell them I’ve dispatched you to seek out new hunting grounds.’

The fair-haired woman mulled on that but made no contention, apparently satisfied that such a story would put her children at their ease.

‘When you leave Glenn Ceoch, keep two day’s distance from the travel party for the first six days. Any less, and you’re unlikely to spot sign of any pursuing party. If anything, it’s more likely you’ll expose your own presence.’

She shrugged.

‘There may be no pursuit, of course, but its a precaution we must take. Should you find no trace of activity to our rear, pick up your pace on the seventh day and reduce the distance between us. But stay out of sight.’

‘You don’t want me to enter the camp?’

‘No. I bear this techtaire no level of trust. It’s best he knows nothing of your presence. If any of the others know you’re there, they could inadvertently reveal your presence despite their best efforts.’

The Grey One paused to regard her closely.

‘You will be my second blade, Gnathad. The weapon I keep sheathed unless there’s a need to draw it free.’

The Tightening Trail

Demne (Fionn) and Liath Luachra traversing The Great Wild.

This is a scene from “The Tightening Trail’ – the forthcoming story from the Fionn mac Cumhaill Series which I hope to release within the next 6-8 weeks.

Number five in the series, its slowly bringing the story towards its culmination in Book Six – FIONN: The Betrayal.

Liath Luachra talks with Feoras

This is a scene from the upcoming novel ‘FIONN: The Betrayal‘ (although that title is likely to change).

Set in the settlement of Ráth Bládhma, in this scene, the woman warrior Liath Luachra, is attempting to plan a dangerous trip to the distant Tailte Méithe – The Fat Lands.

To do this however, she needs information from the punacious techtaire (messenger) Feoras -and a conversation she has not been looking forward to.


Leaving the firepit, Liath Luachra worked a path between the roundhouses, slowly making her way to the southern side of the ráth embankment and the lean-to where Feoras was sequestered. There, despite the mildewed light and the lean-to’s interior shadows, she had little difficulty making out the sour puss on the techtaire as he watched her approach.

Cónán, standing guard to the left of the lean-to, rolled his eyes and shook his head as the Grey One drew closer. The previous evening, the young warrior had expressed his weariness at the techtaire’s incessant complaining. According to Cónán, when Feoras wasn’t bitching about the food, he was carping on about the accommodation, neither of which he considered commensurate with a messenger of his standing. His treatment at Ráth Bládhma had drawn particular vitriol, although there at least Liath Luachra felt he might have had some grounds for complaint given that, on their return to Glenn Ceoch, she’d drugged the cantankerous old man and transported him on a litter, to conceal the settlement’s location. When the techtaire had finally come to, he’d been furious to learn what she’d done. Bizarrely, that fury towards her had been exceeded by his fury at the ignominy of being billeted in a lean-to used for the storage of winter fuel.

It was hard to know where the techtaire’s delusional expectations of hospitality might have come from, but Liath Luachra had little interest in trying to find out. As she slid in under the shelter’s slanted roof, she ignored his scowling features, quietly grabbing a nearby stump of wood and rolling it into an upright position. Sitting herself on the makeshift seat, she shifted around so that she was facing the old man directly.

‘We leave Ráth Bládhma tomorrow,’ she said bluntly. Feoras wasn’t a nice man so there seemed little point in social niceties.

The techtaire’s scowl softened a little at that announcement.

‘You’ll hear no complaints from me,’ he answered haughtily, raising one hand to ruffle his thick bush of white hair. ‘Arriving at Ráth Bládhma has been akin to stumbling upon a precipice marking the limit of human influence. My welcome has been nothing but a litany of insults and injury. My hospitality, little more than cast-offs a mottled swine would reject.’

He waved a hand to indicate the cramped, wood-strewn interior, as though to support the validity of his grievance. Liath Luachra said nothing, waiting for him to complete his querulous griping before she proceeded to the reason for her visit.

‘We’ll leave Glenn Ceoch at first light. By then, the final preparations should have been completed. More importantly, that allows a full day for the ground to firm up after last night’s rain.’

Feoras’ forehead creased a little at that. He pursed his lips and squinted at her uncertainly.

‘If the ground is firm,’ she explained, ‘we leave less trace of our passage on the Great Mother’s mantle. Tracks become less important the further we get from Gleann Ceoch but with Clann Morna haunting the nearby hills, I’ve no desire to leave a trail that leads straight back to the settlement.’

The techtaire scratched at his beard but made no comment.

‘Before we leave,’ the woman warrior continued, ‘it would suit my purposes to learn what you can tell me of the character of the land we’ll be traversing, any relevant water sources, impassable rivers or other obstacles …’

Her voice stalled momentarily as she registered the particularly sour expression he’d turned towards her, but she continued with fresh resolve.

‘That knowledge would allow me to take proper account of the supplies we’ll need.’

‘The Cailleach Dubh has agreed to follow my guidance,’ the techtaire countered, his jaw jutting forward with mulish obstinacy. ‘It should be my role to decide on what might be needed over the course of our travels.’

Liath Luachra regarded him coldly.

‘The argument was lost before it even started, Feoras. I lead the travel party. You’re a guide, Nothing more.’

The old man glared at her, but the heat of that glare glanced harmlessly off the smoothness of her serene, somewhat remote features. Defeated by that unruffled composure and the finality of her response, he turned his angry gaze away.

‘Well?’ she prompted.

She noted the techtaire’s jaw clench a little and, for a moment, she thought he was about to sink into an outraged sulk. To her surprise however, he seemed to think twice about it for when he spoke again, his voice was smooth and calm if, troublingly, cordial.

 ‘What is it you wish to know?’

Note: FIONN: The Betrayal should be available in May/June 2024

Book to TV Series – how times fly

It’s almost four years ago now, since the pre-production work started on a television series based on ‘Liath Luachra: The Grey One‘.

The series (to be produced by Graisland Entertainment) was renamed ‘Liath: Celtic Warrior’ and I confess I wasn’t particularly enamoured with the new name – it simply doesn’t make sense from an Irish perspective. That said, it wasn’t my production and, with screen adaptations, you really just have to step away and accept that it’s a completely different product.

Sadly, the sudden arrival of the Covid pandemic knocked the production off its feet and it never really recovered. I’ve let the screen options run out as I’ve just been too busy on other things, but I might start sending this out again later this year.

Interestingly, there seems to have been a lot of interest from fans to have ‘Liath Luachra: The Great Wild” adapted for the screen. Because the story’s smaller in scale, it’s probably easier to negotiate an option but it’s pretty low on my list of priorities for the moment.

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LIATH LUACHRA: THE GREY ONE

Graisland Entertainment have an amazing team doing some innovative pre-production work around the potential television series for Liath Luachra the Grey One.

Based on the story of a young Irish woman struggling to survive in the brutal, misogynistic world of warrior bands in 1st and 2nd century Ireland, if this gets the green light it’s going to throw what people think of ‘Irish mythology’ on its head.

Coming in 2024

After a hectic, but production poor 2023, I’m proactively returned to creative mode. At the moment, my key focus is on finishing ‘FIONN: The Betrayal’ – the fifth book in FIONN mac Cumhaill Series and, probably, the second last.

This particular work has been a lot harder to write than most other books in the series thus far. That’s not really a surprise as it’s also the first book to start reeling in all the different plotlines spread across the FIONN series (and some elements from the overlapping Liath Luachra books).

For that reason, it’s a lot more ‘talky’ and includes far more character development than many of the other books but that’s critical to maintaining an appropriate narrative pace leading up to the series culmination.

That’s all boringly technical, I know, but the last thing I want to do is rush the story (in a manner similar to the last season of the Game of Thrones television series, for example).

I’m hoping to publish this on the Irish Imbas website at the end of March /start of April. It’ll then go wide to all the other ebookstores a month or two after that.

On completing this book, I had intended to start the next in the Liath Luachra series but, given the overlapping narratives, it’s important that I’m further along in the next FIONN series before I can do that. As a result, I’ll probably start immediately on the sixth FIONN book (title not yet decided).

I’ll also be working on a shorter Liath Luachra work (LIATH LUACHRA: The Quiet One) once that’s completed. That will follow the story from ‘Liath Luachra: The Great Wild.’

Not to be confused with ‘The Quiet Girl’.

My last priority is non-fiction work entitled ‘Irish ‘Mythology 101 (How Irish ‘Mythology’ Works) which I’ve been working on for some years but which I’ve regularly had to put aside due to other commitments.

This should be available by the end of the year.

I have other projects and creative work on the go, but these are the ones I’m focussed on delivering in 2024.

Maith agaibh!

Fionn mac Cumhaill … The Poet

A lot of people tend to forget that Fionn mac Cumhaill also held a reputation as a talented poet (which has a whole bunch of relevant associations) and the Fenian narratives are strongly linked with what’s generally referred to as ‘nature poetry’.

A number of ‘nature poems’ are actually attributed to Fionn (and I’ve a bridge to sell you if you believe that). This one is a 9th century poem (in Irish and English) which was translated by the German philology scholar, Kuno Meyer, back in the early 1900s.

Note, this was written in 9th century Irish, so it’s quite different to modern Irish. I have to say, though, Meyer did a superb job of the translation.

Scél lem duíb

Dordaid dam

Snigid gaim

Ro-faíth sam

Gàeth ard uar

ísel grian

gair a rith

ruirthech rían

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Here’s a song

stags give tongue

winter snows

summer goes

high cold blow

sun is low

brief his day

seas give spray.