I’m always a bit wary when new films, books or games that use Ireland or Irish culture as a core part of their story are released. Many of these tend to target the “Oirish” market (the overly romantic Irish-identity market that flows from the Irish diaspora) or the “Celtic fantasy” market, which joyfully whips key elements of Irish/Gaelic culture and uses them out for context for entertainment purposes. Overall, it’s rare enough for Irish creatives to have genuine control of a large budget production, not to mind one that actually reflects their culture with any degree of accuracy or authenticity.
I was pretty stoked then, when I finally got around to watching Lance Daly’s “Black 47”, a film that had been on my peripheral vision for over eight months prior to its release. At the time, it had struck me as a bit odd to choose two Australian actors for the main roles and the thought of a commercial release around something as culturally sensitive as An Gorta Mór (The Great Famine) seemed incredibly insensitive, particularly given the British Channel Four’s misjudged attempt (in 2015) to do a comedy series based on that traumatic period. Fortunately, all baggage aside, “Black 47″confidently and competently stands on its own.
A grim, broody “Irish Western” and revenge thriller, “Black 47” follows the adventures of Feeney, an Irish soldier who deserts the British army in Afghanistan and returns home, only to discover the true scale and effect of colonisation. Learning of his mother and brother’s death and observing first-hand the evidence of his family being allowed to die in squalor and misery, Feeney ends up opposing the people and the administration that has allowed this to happen. Repurposing the military skills gained in Afghanistan, Feeney follows a trajectory of violent opposition to the landlords, land agents and their constabulary, becoming an almost “Rambó Gaelach“, an implacable force of justice against the rampant greed and cultural prejudice of that period. Soon, a ‘posse’ consisting of reluctant English hunter, Hannah (Hugo Weaving), and Pope (Freddie Fox), a fanatical British officer and Empire enthusiast, are set on his trail.
Fortunately, the movie is not just a simplistic revenge thriller. The Australian actor James Frenchville is impressive as the brooding Feeny, his immense physical presence and ready use of Irish language adding real depth to his character, but the real strength of the narrative is the cleverly-woven social commentary provided through the supporting characters. Conneely (Stephen Rea), a wry translator hired by the pursuing party, serves as an excellent foil to the over-privileged and obnoxious Lord Kilmichael (Jim Broadbent) who frequently releases statements such as:
‘Soon, a Celtic Irishman will be as rare in Connemara as is the Red Indian on the shores of Manhattan.’
When Kilmichael boldly states:
“I love this country. The scenery. You peasants are all the same, no appreciation of beauty. “
Conneely slyly replies:
“Beauty would be held in much higher regard, sir, if it could be eaten.”
It’s the wry and insightful gems like these, hidden throughout the script that give this movie it’s real resonance. That, the smattering of Gaeilge, the historical accuracy and the melancholic but beautiful scenery of Connemarra.
Overall, Black 47 can be enjoyed as a simple action movie but there really is much more going on than that. The film also serves as a subtle reminder of the ongoing cultural-PTSD that pervades Irish society as a result of 300 years of colonization and why most Irish people speak English today.
You can find the official trailer here: Black 47