I took some time out yesterday from my current projects to play around with various concepts for ‘Liath Luachra: The Hungry People‘ (and, sorry, I won’t get to writing that until mid- next year at the earliest). The previous book in the series left a number of unanswered questions and unresolved plotlines that I’ll be… Read more »
This murky image was taken at Uaimh na gCait (often bastardised into English as Oweynagat) located at Cruachain in Roscommon and its one of the more famous ancient ‘crossing points’ to the Otherworld – a list predominantly derived from literary (i.e. not historical) sources. The site is definitely worth a visit as long as you… Read more »
Despite a measure of artitistic self-indulgence, I’ve actually come to enjoy Hugo Pratt’s books (some of them at least) but his representation of Ireland during the war of independence is amusingly uninformed. When his laconic anti-hero (the nautical Corto Maltese) ends up in Ireland, he meets the hilariously named ‘Banshee O’Danann’. I sometimes wonder whether… Read more »
Now that I’m back in the office, I’ve started work on ‘FIONN: The Betrayal‘ – the fifth book in the Fionn mac Cumhaill Series. At this stage, this is intended to be the second last book in the series. The current chapter one (these things tend to change) involves a conversation around a game of fidchell between Demne… Read more »
My first encounter with Reefer and the Model (Joe Comerford’s independent thriller and Ireland first arthouse ‘western’) was in 1989 when I moved to France. Moving around the city, I was surprised to discover several posters advertising an Irish comedy-thriller that consisted of an odd ‘line -up’ style photo displaying a priest, a bearded woman,… Read more »
An ‘early medieval batte scene’ from Polish artist Aleksander Karcz. As a general rule, I tend to avoid large scale battle scenes in my books, except where they’re the culmination of some important plot point or otherwise a necessary contribution to the story I’m writing. Fantasy entertainment has probably set a few unrealistic expectations when… Read more »
Still a few more days to go back here in Ireland and my mind’s already overflowing with sensations, memories, thoughts, and concepts that I’m desperate to get down on paper. At this stage, I have plans for three new series I want to start – on top of the series I’m currently running – so… Read more »
There was one morning when the world dissolved, obliterated in a downpour that melted the distant islands, then the immediate surroundings as well. Preceded by a cluster of unusually threatening, blue-bruised clouds, the incoming deluge had given plenty of warning. As a result, the girl was comfortably settled under a solitary oak at the tip… Read more »
There’s a lot of misinformation online about this rock in Kilcatherine on the Beara peninsula. So much so, that the rock is now regularly polluted by votive ‘offerings’ left by visitors and ‘seekers’ who don’t really understand the context or the evolution of its fame. This year, I’m hoping to make a start on the… Read more »
It’s been three years since I released the first official ‘Irish Imbas Catalogue’ (to much hoorah!) back in May 2020. One of the problems with catalogues, however, is that they really are a snapshot in time of creative work and output and, often, they don’t reflect creative or professional changes that have occurred over a… Read more »
Each year An Post runs a programme of special and commemorative stamps on behalf of the Irish Government. Deirdre of the Sorrows was part of the mythology series produced a few years ago and illustrates the legendary love story of Naoise and Deirdre and the jealous rage this caused in Conchubar mac Nessa. The story… Read more »
Oisín and Niamh galloping towards Tír na nÓg. Or is it? Is this an authentic reproduction of the classic Fenian tale or something else entirely? “How we picture Irish mythology” – the next in-depth post from Vóg (subscriber edition) on 30 April. You can find the ‘free’ and ‘paid’ sign-up to the newsletter HERE
