Small Pleasures in the Pandemic

It’s always nice when a box of books arrives at the door, a delivery I tend to limit to once a year. Usually, this occurs only when I’m releasing one of my own books (Liath Luachra: The Seeking, in this case) or printing off a small number of books for presents/reviews, or treating myself to a rare book gift from home.

This year however, given the Covid-19 pandemic, there’s a particular poignancy to the annual ritual. I’m currently based in New Zealand (something I’m very grateful for every day) – an isolated island at the edge of the planet. It’s very difficult to make or to receive deliveries here due to the international mail disruption and the reduced number of aircraft carrying goods to this part of the world. To send a book to America from here, can currently take up to four weeks. To Australia (just “across the ditch”) it can take three.

And just last week (early March), I recieved a whole bunch of Christmas mail from Ireland.

This year, I couldn’t get the books I wanted to order from lreland so I focussed instead on updating my own stock. In the scheme of things, of course, I’ve nothing to complain about.

I’m more than happy with that.

LIATH LUACHRA: THE SEEKING has been released (kinda)

As promised, Liath Luachra: The Seeking is finally being released today. It’s something of a ‘soft’ launch however (in that you wont see much fanfare) as the book will only be available in digital form through the Irish Imbas Books website (and in paperback form through Amazon) for the next month or two.  After that, it’l lbe relased wider.

Part of the reason for this apporach is that the story’s a two-parter to be completed in Liath Luachra: The Metal Men, which I’m hoping to finish and release in the next 4-5 months or so. I’m not overly comfortable putting out a completely unfinished story but people were demanding something be released and this seemed like a good medium.

It’ll be interesting to see the reaction the cover gets when it’s released wider than this website. As covers go, it’s a bit confrontational and controversial (given the naked – albeit desexualised – woman on it). Those who know the character or who’ve read the book will ‘get it’, of course.

Brian Mahy – an artist who I really enjoy working with – was given the task of designing a cover that represents a scene from the book where the character is naked. To do this, I asked him to make the protagonist clearly recognisable as feminine while also ensuring it wasn’t sexualised. I think he did an excellent job of that and also in reflecting the ferla nature of the character. You can find more of Bryan’s work at Bryan Mahy Artstation or Bryan Mahy Behance.

Where Can I Get IT?


You can get the digital version HERE.

The paperback version on Amazon is available HERE but note that this link may change depending on which country you’re living in. If you search for it, it’ll probably only appear if you look it up in the ‘Books’ section as oposed to the ‘Kindle’ section. If you’re based in Great Britian – the whole Brexit mess menas a lot of books don’t appear on Amazon UK.

I have to admit, it’s not my preference to make the paperback available uniquely on Amazon, unfortunately most other paperback distributers have made it too expensive to go through them at the moment.

By the way, you should also be aware that there appear to be delays with the shipping of paperback products from Amazon. I ordered several paperback copies recently for review purposes and probably won’t get them until mid- to end- March. If you’re downloading through the Bookfunnel system meanwhile, remember that it can take up to two hours (admittedly rare) to receive the file and if you have a gmail address the email may end up in one of the more obscure folders.

Liath Luachra – Teaser Trailer

It’s hard to believe but it’s apparently been two years since this home-made trailer for the Irish Woman Warrior Series ( a series of books on the fictional adventures of an Irish woman warrior and her mercenary war party, Na Cinéaltaí – The Friendly Ones) first appeared online.

It’s certainly been an interesting (and slightly ironic) ride since then, with two seperate screen production companies unexpectedly expressing interest in the first book (Liath Luachra: The Grey One), those rights subsequently being sold to Graisland Entertainment and the book itself being adapted into a script for a televsion series.

Watching my work being transformed into a television series script by someone as talented as Michael Grais (and being allowed to watch it’s development) has probably been one of the highlights of my publishing work to date.

I’m seriously considering doing a trialer for the Beara Trilogy and the Fionn mac Cumhaill Series now to see what happens!

Paperback Books

I’m pleased to announce that nearly all of my books can now be ordered through bookshops anywhere in the world (while recognising many of them are still closed due to the pandemic).

For the last six years or so, there’s really been only three paperbacks available in print outside of the Amazon system (Fionn 1, Fionn 2 and Beara 1). That’s mainly been due to the administrative complexity and the costs associated with placing books into the Ingram system (that’s the company who hold the ‘Print-On-Demand’ files and supply copies to the bookshops on request). After several years, I finally found time to get this task done. Sheesh!        

Anyway, if you order a copy through a local bookshop let me know how it turns out as I’m curious to see how this works in practice from the other side.

Interlude at a Cave

An excerpt from Fionn: Defence of Ráth Bládhma. While out hunting, the woman warrior Liath Luachra and her young companion Bearach have discovered tracks of a large war party in the snow. Concerned that the war party might discover their trail and follow them back to the settlement of Ráth Bládhma, they elect instead to spend the night in a nearby cave.
******************
By the time they’d climbed to the cleft on the hill crest, the sky was beginning to darken, the light turning brittle and grey. The wind had also increased, whipping icy gusts down from the summit to spatter their eyes and faces

‘There it is!’

Liath Luachra pointed towards a narrow slit in the side of a steep incline, just above the tree line. Pleased to find it exactly where she’d remembered, she approached the craggy cave mouth. It seemed a bit narrower than she recalled but it was definitely the place.

A rocky passage curled inwards from the entrance for a distance of about seven or eight paces before veering off sharply to the left. Here it widened to form a circular chamber with a high curved ceiling. In one wall, there was a wide ledge at the height of a tall man’s head. Accessible using a rough series of hollows and notches that pockmarked the rocky surface, it provided a secure place to sleep.

Liath Luachra dumped an armful of kindling and branches onto the floor then left Bearach to coax a fire to life while she went outside and down to the trees to seek additional fuel. After returning several times with armfuls of the driest wood she could find, she hacked a number of branches from a nearby gorse bush and used them to plug the entrance to the cave. As a barrier, the spiny shrub did not present a serious obstacle, however its voluminous branches would serve as a credible windbreak to prevent the worst of the gale from entering the cave. More importantly, they would also help to shield any light from the fire that might seep out from the inner chamber.

When the gap was sealed to her satisfaction, Liath Luachra joined the youth, sitting by the small fire he’d managed to put together. Bearach had also laid their rations out on a flat rock beside the fire; two portions of salted fish, blood cake and some hard bread, all wrapped in broad, green dock leaves.

They ate the frugal meal in silence, the woman warrior chewing without relish on the tasteless hard tack. It was hardly a feast but it was certainly not the worst she’d eaten. With her habitual pragmatism, she accepted the food for what it was; simple replenishment to keep the hunger pangs at bay.

Beside her, somewhat more forthright, Bearach sighed and grimaced melodramatically with each mouthful.

‘Some roasted meat would have been nice.’

Liath Luachra gave him a sidewards glance, one eyebrow raised.

‘You’re as bad as your brother.’

‘But Aodhán has a point. He likes his meat. This is like chewing dog turds. I wish we’d brought some decent food with us.’

Liath Luachra rewarded his opinion with a look of disdain. Tossing the empty dock leaves aside, she slowly got to her feet and then twisted her hips so that she could slip her right hand down the back of her woolen leggings. Bearach watched in growing bewilderment as she grunted loudly, forehead creased as though in immense concentration.

‘What are you doing?’

‘Be quiet. I’m trying to pull some nice fresh venison out of my arse for your dinner.’

He stared at her blankly then suddenly his head rolled back and a raucous guffaw echoed around the cave, resounding off the hard chamber walls to fill the enclosed space with laughter. Infected by his contagious good humour, Liath Luachra started to laugh as well and, for a moment, a great weight slipped from her shoulders.

When they’d finished eating the last scraps of food, Bearach climbed up to the rocky shelf to unroll their bedding; two double-layered wool blankets. He spread these out across a cushion of spruce cuttings that he’d trampled flat on the rock base and strewn with dead leaves bundled up from the cavern floor.

Liath Luachra regarded the sleeping arrangements with little enthusiasm.

Hard dreams tonight, then.

‘You go ahead and sleep,’ she instructed the boy. ‘I want to think and I need to be alone to work out the way of things. I’ll come join you when I’m ready.’

Shrugging, Bearach retired to his bedroll and lay down, fully clothed, on the thin bedding. They would have no covering layer tonight, relying on their shared body heat, the fire and the shelter of the cave to keep them warm until morning.

Exhausted from the day’s exertions, it did not take the boy long to fade and within a short period of time, a soft snore emanated from the huddle he made.

Liath Luachra remained seated before the small fire, adding some dry sticks then rubbing her palms together before the brief flare of heat they produced. Outside, the temperature would have plummeted but it was still pleasantly warm within the cave, the rocky walls reflecting the heat of the fire back on her. Later in the night, when the fire had died down, the accumulated heat would slowly seep out through the cave entrance, despite her best efforts to seal them in.

She glanced back over her shoulder and up to the ledge where Bearach was visible, sleeping quietly. She released a long sigh. Originally intending to travel alone, she’d allowed the boy to beat her resistance down with his good humour and boundless enthusiasm, somehow convincing her to let him come. She was still unsure how he’d actually managed to do that, to weasel his way past her habitual resolve.

The fire crackled and a low draught stirred the scent of burning pine up to her nostrils.

She had never been particularly good with children, unable to relate to their weakness, their innocence and complete dependency on adults. Her own childhood had taught her that there were only two types of people: those who were tough enough to survive and those who died.  It was a simple as that.

And yet it wasn’t, of course.

Three years at Ráth Bládhma had changed her beliefs on many things. Somehow, over that time, the routine domesticity and Bodhmhall’s calming influence had mellowed her, worn down her more jagged edges. Until accompanying Bodhmhall to Ráth Bládhma she had never really known such an extended period of calm, of tranquility. In the new settlement, for the first time in her life, she was surrounded by people she actually liked, people who respected her presence there as much for her company as for her martial skills.

You are getting soft, Liath Luachra. Life at Ráth Bládhma has made you soft and fat.

Sometimes she wished she could cut old memories from her mind, peel them away in the same way she’d peel the skin from a potato. If such things were possible she would have pared away all the pain, all the memories, long ago and tossed them into the air to let the wind take them away.

She chuckled at her own inanities. She was only fooling herself. The pain made her who she was. The pain made her hard and ruthless and, sometimes, ruthlessness was necessary to combat those who threatened you.

And there was always someone who would threaten you.

DARK DAWN/ CAMHAOIR FUILSMEARTHA

A gorgeous image from artist Bryan Mahy for the “Dark Dawn/ Camhaoir Fuilsmeartha Project” I’m currently working on.

This was intended to be released this month but delays outside my control mean it probably won’t be available for a little longer.

Subject-wise, this is a story about a dying warrior defending the isolated settlement of Ráth Bládhma, future home of Fionn mac Cumhaill. It’s a stand-alone, once-off, spin-off from the Fionn mac Cumhaill Series and people will either love it or hate it.

It will have its own page soon but for the moment the best source of information is probably here:

Escaping The Chains Of Genre

It’s hard to believe that it’s almost four years since I published FIONN 3: THE ADVERSARY – the book that completed the first three-book arc of the Fionn mac Cumhaill Series.

The above image is an alternative cover for that book (developed from a series that the artist went off and created predominantly to satisfy her own creative urgings).  An incredibly talented cover designer, she had the whole fantasy genre down to a tee and, hence, thought I’d love what she sent me. And I did – anything this artist does is amazing!

Unfortunately, by then, I’d also been feeling increasingly uncomfortable with having my work locked into the ‘fantasy’ genre, predominantly due to my growing understanding around the confusion between genuine mythology and ‘fantasy’ (particularly where it relates to anything Irish). The over-sexualised imagery that tends to accompany the fantasy genre was also wrong for the kind of books I produce.

In the end, we used a different variant for the cover (using the original photostock – you can see the final here) but I ended up paying the artist for the additional set of images as well. She’d done some amazing work for me in the past and, frankly, she deserved it. Although I’ll probably never use any them, its nice to pull them out on occasion and appreciate the great skill she put into them

Book News on Irish Mythology – A Summary for 2019

Stories based on Irish mythology and culture have been bowdlerised quite a lot over the last two hundred years or so, often to the point where, now, many people struggle to differentiate genuine Irish history and mythology with commercially-produced “Celtic” fantasy. That’s something that, as an Irish fiction writer (non-fiction, on occasion), I’m regularly confronted with. It’s also why I’m so pedantic in telling stories that are as historically and culturally authentic as I can make them.

Telling stories based on authentic elements of Irish mythology can be something of an effort, however. Not only do you have to get the history right, you also have to introduce ancient Gaelic concepts into the story in a way that a contemporary audience can (a) understand them and (b) enjoy them. That takes research (a lot), it takes language skills (Irish) and of course, the ability to put a story together in a way that allows those elements to shine.

Creating those kinds of Irish mythological stories was a bit exhausting over 2019, fortunately for all the right reasons. The key reason was the recent sale of the screen option (and the subsequent  adaptation) for Liath Luachra: The Grey One which took up a major proportion of my year.

 

There’s still a long path to travel before any decision is made on whether this appears on a screen near you, of course.  There will be a post about it all  at some stage in the future but, until then, here’s a little teaser (ironically, made before we had interest from Hollywood).

 

 

But, screenwork aside, here’s a little update on the other projects currently taking place.

Fionn: Stranger at Mullán Bán

Book number four in the popular series (the Fionn mac Cumhaill Series) concerns the growing pains of the young Fionn (Demne) who’s struggling to solve the mystery of his father’s death, supported as always by this three guardians; his aunt – the bandraoi Bodhmhall, the woman warrior Liath Luachra and the eccentric womaniser Fiacail mac Codhna. This story is maturing quietly in our office drawer like a potentially fruitful wine.  There are six books  in total planned for this series. We had intended to release this volume in December 2019 but, for reasons explained above, this is now delayed until the first half of 2020.

Fionn mac Cumhaill Series

 

Liath Luachra: The Seeking.
This will be the third in the Irish Woman Warrior Series and follows on directly from book two (Liath Luachra: The Swallowed) with the woman warrior Liath Luachra returned to help a comrade rescue his sister from a mysterious group of raiders. Needless to say, this turns out to be far more complicated than expected.

This book returns to many of the themes and characters in Book 1 but also commences the overlap between this series and the Fionn mac Cumhaill Series. Originally, we had planned three books in total but that’s now likely to expand to four.

We’re hoping to release this book in the first quarter of 2020. The current cover is undergoing revision so this is a standby cover until its completed.

 

Dark Dawn:
This is a bit of a trial project I’m currently working on and involves the story of a dying warrior attempting to protect a settlement. The settlement in question is Ráth Bládhma.
Expect to see an announcement on this sometime in the first quarter of 2020.

 

Despite all the excitement over 2019, we have actually released a few items, mainly the following short stories. Note, however, that these are currently only available through the Irish Imbas website:

 

Fionn: The Twisted Trail

While hunting with two children in the depths of the Great Wild, the woman warrior Liath Luachra becomes involved in a pursuit she’d rather have no part of.

 

Liath Luachra: The Winter Cave

After completing her ‘tasking’ in the Lonely Lands, the woman warrior Liath Luachra retreats to spend another winter alone in the bleak Luachair valley.

It’s by no means certain she’ll make it through to Spring.

 

The Cut:

In ancient Ireland, a mother seeks a boon of an old lover, now the most ferocious and feared chieftain in the land.

Probably one of the most well-known stories from the ancient early Irish literature, the fascinating tale of Labhraidh Loingseach (Labhraidh is pronounced ‘Lowry’ in English), has never been accurately portrayed for a contemporary audience.

This, then, is the story of the mythical Irish chieftain, the founding ancestor of Na Laighin (a major tribe in Ireland’s south-east for which the province of Leinster is named) and the man to which a very strange attribute is associated.

 

After a year’s hard slog, I’m certainly ready for a break. In the meantime, all our books can be obtained through THE IRISH IMBAS BOOK SHOP of course. Updates on the latest releases will be made available through our newsletter Vóg (last one for 2019 will be end of November).

Forthcoming Projects at Irish Imbas Books

Part of the problem with doing creative work on a part-time basis is that there are always more projects than you can actually complete. Personally speaking, I always have at least ten projects on hand at different stages of development. Some may never see the light of day but most of them will. In any case, this is a list of the top five projects we’re working on at the moment.

FIONN: Stranger at Mullán Bán
Six chapters into this fourth novel of the Fionn mac Cumhaill Series and we’re looking at a release date around the end of 2019. I’m still not wiling to give much away but the series does follow the Fenian Cycle narratives and we’ll be finishing up with book six.

LIATH LUACHRA: The Seeking
At present I’m working on a short story which will set the scene for the third Liath Luachra Series novel. At this stage, the wider plot is well established with some returning characters, some unique antagonists and an interesting slant on the period that Irish mythology hasn’t taken before. To be honest, I’m champing at the bit to get into this and it’s a struggle to pace myself so that can complete FIONN 4 first. The short story will be out in the next month or two. Development of the potential television series based on the first book may stymie this of course.

Project Scéalta:
Project Scéalta (a side-project based on FIONN: Defence of Ráth Bládhma) has so many components, it’s been one of the more frustrating pieces of work I’ve done to date (two steps forward, one step back). It’s now sitting on the back burner for another three weeks but once time frees up in August, I’ll be almost at a point where I have a working model.

Attached is the first conceptual image for the project. Some of you may recall that this initially started last year with the great line “It’s raining and my arse aches”.

As you can see that’s changed a bit. Some might say, for the better!

Project Tobar:
This is a non-fiction, Irish mythology-based project and it’s going into initial design stage later this year. This is going to the biggest project we’ve done so far so it’ll probably swallow our full capacity for 2020. That’s why we’re not going to do any actual development work until at least two of the previous projects are completed. Watch this space.

Celtic Mythology Collection 4
After a lot of consideration and redesign, we’re finally ready to kick off a new Irish Imbas: Celtic Mythology Short Story Competition next year (all dependent on completing Project Tobar first, of course). The plan is to launch the competition in September 2020. We’ll be commissioning illustrations for that at the start of next year. Until last month, I was convinced, we wouldn’t run another of these.

Beara 2 and Beara 3:
Probably the two most books I still get most emails about. These are sequels to Beara: Dark Legends and they will come. One day

New Book News

It’s been a tough few months with challenging workloads on all fronts but fortunately I’ve had the chance to work with some fascinating and talented people this year. As a result, I’m hoping this year’s output is going to be one of our most substantial and best to date.

The second book to appear this year will be the next LIATH LUACHRA adventure (THE SWALLOWED) which should be out sometime in the next 3 months. This follows the experiences of the 2nd century Irish woman warrior Liath Luachra (the future guardian to Irish mythological hero Fionn mac Cumhaill) and her fian (war party) ‘The Friendly Ones’.

The draft blurb outlining the story currently reads as follows:

Ireland: Second century.

The Lonely Lands: Ireland’s shadowy centre, a desolate region of dense forest and swamp where unwary travellers are swallowed up … to disappear forever.

Caught up in a tribal conflict when their latest mission goes sour, the woman warrior Liath Luachra and war party “The Friendly Ones” find themselves coerced into a new undertaking:

* Lead a mismatched group of warriors into the Lonely Lands.

* Find ‘The Swallowed’.

But intra-tribal rivalry is never what it seems, old enemies bear fresh grudges and predators move in the dark heart of the forest …
Awaiting their moment to feed.
————————————————-

PRAISE FOR THE LIATH LUACHRA SERIES

“The thinking woman’s warrior!”

“This is an Ancient Ireland that is entrancing and savage, much like Liath Luachra herself.”

“Liath Luachra is an engaging protagonist – deliciously sensual, yet calculatingly violent when the cause demands it. Never a dull moment, difficult to put down.”

“You don’t often come across such a compelling hero(ine), written with such depth and understanding.”

“She’s intriguing – fierce and capable of killing…but loyal and gentle too at times. I love the picture painted of old Ireland and the wildness of it – and the occasional use of the Irish language adds another dimension to the story – a kind of authenticity. I’m looking forward to reading more.” (less)

Further details on our expected output this year should appear in the next edition of Vóg (our monthly newsletter). You can find a copy of last month’s edition here: Vóg

Irish Fantasy Friday: 20 Oct 2017

A weekly update of Irish fantasy-related news – from an Irish perspective!

Dominated by GoT and Star Wars today!!

  • Liam-Cunningham says Game of Thrones stars are not making millions [Aaah, c’mon Liam!] (Irish Independent)
  • Impressive independent GoT Short Film (The White Wolf) by two Belfast men: (Irish News)
  • Go mbeidh an fórsa leat! — May the force be with you! Report on Star Wars VIII filming in Ireland (Ireland.com)
  • Kerry Independent TD reckons there’s more money to be milked from Star Wars VIII (Irish Independent)
  • And just in case you’re one of the few people who didn’t see the Skellig Islands Tourism Feature Star Wars VIII Trailer (YouTube)
  • Gaelcon 29 is happening next weekend: 27-30 October (Gaelcon)

Feel free to submit appropriate (i.e. relevant) posts for inclusion.

Irish Fantasy Friday: 13 Oct 2017

A weekly update of Irish fantasy-related news – from an Irish perspective!

  1. David Freyne’s The Cured wins ‘Best Horror Feature’ at the Fantastic Fest, America’s largest genre film festival (IFTN)
  2. Liam Cunningham insists he doesn’t when the last Game of Thrones episode goes to air (ah, c’mon Liam!!) (UPI)
  3. A Fantasy Map of Ireland stirs up more strife and argument than a Games of Thrones episode [Reddit and Poliics – a match made in heaven!] (Reddit)
  4. Derek Landy (of Skullduggery Pleasant fame) tries his hand at graphic novels with Secret Empire: Uprising (Bleeding Cool)
  5. Dublin’s Brown Bag Films working with Disney on Vampirina (RTE)

Feel free to submit appropriate (i.e. relevant) posts for inclusion.