A find in the Bog Down in the Valley-oh!

A very good article here on the Fadden More Psalter (a copy of the biblical Psalms) which was miraculously discovered in an Irish bog (at Fadden More) back in 2006. It was pure chance the operator of a peat-harvesting machine noticed it in his machine bucket and had the nous to contact the National Museum.


The Psalter itself holds 150 psalm (the opening letter in each, marked by a capital letter) and comprises sixty vellum sheets in total. Testing revealed that the text was written with iron gall ink, and a number of other decorative pigments. It’s estimated to be 1200 years old. It’s not the oldest writing material in Ireland but it’s certainly the most important literary find of the last few decades


I did quite a lot of research on Irish paleography (the study of ancient and medieval scripts) and codicology (the study of ancient and medieval books) while writing Beara: Dark Legends. That was one of the reasons it took me over two and a half years to complete the novel. To be honets, I was just completely fascinated by the technical side of it and it amazed me how much you could glean from both an analysis of the text as well as the book itself as a physical object.
It’s a bit of a shame but many of the ancient Irish manuscripts (or the remaining fragments of them) are held in overseas universities – often for very relevant reasons.


But that’s another story.

You can find the link HERE

The Irish Imbas Patreon Page

Last month, after some extended consideration, we decided to open up an Irish Imbas Patreon page. We did this primarily for two reasons:

  • A lot of the content from the Irish Imbas website and our monthly newsletter (Vóg) was being plagiarised and used (usually inappropriately) by individuals for their own commercial purposes
  • My personal dislike of the monopolistic tech companies (Facebook. Amazon, Google etc.) and a desire to separate my work from them

For a while, we’d been considering options to allow a more targeted mechanism for providing increase outputs to those people who support what we do. Given all the above, we’ve decided to trial Patreon for the next year or so.


You can find the IRISH IMBAS PATREON page HERE:
 
There you’ll discover that you can sign up to two different membership levels:

  1. ‘Tuath’ (tribe – level) – $1/month. This is designed for people who are primarily interested in aspects of Irish culture (as well as my writing).
  2. ‘Fénnid’ (fian member – level) – $2/month. This is designed for people who are primarily interested in my writing and the other topics as well

The full Vóg newsletter (10-11 issues/year) will go out to those who’ve signed up for the ‘Tuath’ and the ‘Fennid’ level. This will resemble the newsletter we’ve been putting out over the last 2/3 years, although there will be a slightly stronger return to areas such as Irish mythology which I’ve had to stop writing about (due to the aforementioned plagiarism issues).

Obviously, there’s absolutely no obligation to sign up. This is really only for those who’d like to receive more content/products from us directly

An Irish Imbas Books newsletter will continue to go to those already on the Irish Imbas mailing list although, from this point on, that will focus primarily on books


At a later date, I’ll also be setting up a third membership level (Mythology level) for those who are interested in learning about Irish (and other) mythology.  I’m still in the process of designing this to make sure it works, so it probably won’t be available for a few months at least.

Thanks to those of you who’ve already supported Irish Imbas through Patreon. We’re looking forward to sending some exclusive goodies your way soon.

Here a link to the sign-up form again: Irish Imbas Patreon

Liath Luachra and Red Sonya

I get an email every now and again where people ask if the Liath Luachra character is based on the Red Sonya character. She isn’t, of course, but the development of the Red Sonya character is actually quite interesting in itself.

The original Red Sonya was ‘Red Sonya if Rogatino’, a red-haired woman warrior from the book ‘The Shadow of the Vulture’, which was written by Robert E. Howard (creator of the famed ‘Conan the Barbarian’ books). Published in the 1930s, it was more historical fiction than the pure fantasy of his better known works and set during the Ottoman invasion of 16th century Europe (and more specifically around the first Siege of Vienna). In the book, Red Sonya is actually a lesser character to the main protagonist – Gottfried von Kalmbach – who she helps in the defence of the city.

The Red Sonya character also drew a lot from one of Howard’s other characters called Dark Agnes de Chastillon, a red-haired woman who turned up in a trio of stories set in 16th Century France: ‘Sword Woman’, ‘Blades for France’ and ‘Mistress of Death’ (you can probably get these online but I’ve not read them so I’ve no idea if they’re any good or not).  

Much later (sometime in the 1970s), Marvel Comics picked up some rights to the Howard characters and used them to develop a new sword and sorcery character to “attract the lady fans” to their ‘Conan the Barbarian’ line of comics (which is still running today). The character apparently pulled in some readers, although given the signature (and misogynistic) metallic bikini armour she wears, I suspect they were predominantly male.

A number of books were published over the 1980s and in 1985, a film called Red Sonja was released (again, hoping to ride on the coat-tails of the Arnold Schwarzenegger ‘Conan The Barbarian’ movie released the year before). That movie stared Brigette Nielsen and I can vaguely remember seeing it back in the day. I have the sense that it was ‘not great’ but to be honest, I can’t really recall.

Actually, now that I think about it, I do seem to remember Nielsen being a terrible actor … but I may be doing her an injustice. There are talks of a new film in development with the character and given the #metoo and heightened awareness on diversity, I suspect this will be very different (if it goes ahead).

I first came across the character about ten years ago as the Marvel comic did some lazy cultural theft by bringing a goddess called Scáthach into the story (sigh!). In that version it’s the …. cough … Goddess Scáthach who gives Red Sonya her heightened fighting skills.

Because of my own culture and background, the Liath Luachra character I developed is very much a character of mythological fiction, an done based on a very strong cultural basis. The Red Sonya character however rests deep within the fantasy genre. That’s a place I’ve increasingly avoided over the last few years as so many people don’t seem to understand the difference between ‘fantasy’ and ‘mythology’.

That’s something, of course, I’ll be working on over the next few years.

Irish Fires on Facebook

There’s an old adage that goes something along the lines of ‘we mostly make friends with those who agree with us’. Some of the truth behind that adage is subtly evident in modern social media but it tends to be particularly interesting from an Irish viewpoint.

Observing social media patterns – particularly in the Irish-related Facebook Groups – it quickly becomes evident that there’s a tangible cultural divide between native Irish people and the descendants of Irish people from overseas, an interesting development in ‘Groups’ supposedly built for a common interest. Many of the ‘Irish’ Facebook Groups (sometimes referred to as ‘Oirish’ Groups by native Irish) are established by (and populated by) the descendants of Irish people who have a slightly outdated and ‘rose-tinted spectacles’ view of Ireland and its people. As a result, when native Irish members point out the erroneous beliefs and outright untruths that are posted, online engagement quickly descends into open conflict – helpfully aided by provocative Facebook algorithms that toss petrol on the ‘conversational flames’. Add in the Celtic Recreationists, White Supremacist Celts, Profit-Driven Pagans and others using Facebook Groups to drive their own agenda and you quickly end up with a toxic environment where there’s simply no point in engagement.

One of the reasons behind that disparity of engagement is that although people come to such Groups out of a relatively common interest, they also come with different purposes and, more importantly, bearing very different cultural values, something that has become starkly visible in the most recent ‘Global Trends Survey.’

Irish journalist Fintan O’Toole has an explanatory article on the results of that Survey from an Irish perspective and the huge difference between Irish, American, English (and other) cultural values makes fascinating reading. If you want to understand the war between Oirish and Irish, you can find O’Toole’s article here.

The Metal Men

I’m deep into writing the last 3-4 chapters of Liath Luachra: The Metal Men at the moment – which concludes the adventure commenced in the previous book (Liath Luachra: The Seeking).

At this stage, I’m hoping to have a close to final draft ready by Christmas but the upcoming holiday season means the final draft won’t be ready until the end of January 2022.

This particular book is a turning point in the series in that it brings a number of the plotlines to a close but there are still several others that need another book to tie up (and some, of course, that continue into the subsequent Fionn mac Cumhaill Series. As a result, it’s taking a bit of time to get the balance of plot and theme the way I want them.

I’m looking forward to getting this out there and seeing if I’ve got it right or not.

‘Michael’ Colins is 25 years old!

“Before I’d finished the final draft there were items on TV, and historians commenting… it was almost like I’d been commissioned to make a national monument.”

A very interesting and insightful article on the making of ‘Michael Colins’ … now one of Ireland’s digital national monuments.

It woul have been interesting to see what Kevin Costner’s vision looked like but I’d have to agree … It probably wouldn’t have been as good.

You can find the link here: Michael Collins

Out Drinking with the Witches

This piece (below) was actally the introduction to a Facebook post from six years ago which I’d linked back to the Irish Imbas website. I’ve since made the original article private but it’s probably a timely reminder to revisit the issue given the gradual decline of Wicca and its displacement by a more ‘Oirish’ branded Paganism.

Generic, ‘spiritually-themed’ religions tend to come and go with relative frequency. Often, this is because the commercial drivers behind them eventually reveal the lack of cultural authenticity and the lack the ‘resonance’ or ‘staying power’ of larger /mainstream religions (i.e. which you can probably inteprete as having been introduced with the force of a government or other power base behind them).

I’ll probably do a post on that soon through Patreon and the website.


Years ago, while waiting to be served at a bar in Glandore, I met a pair of witches over on holiday from England. After they told me that, they both kind of stood there waiting, clearly expecting a bit more of a reaction.

What they couldn’t have known, of course, was that over the years in West Cork, we’ve seen waves of foreign new-agers, alternative life-stylers, hippies and artists come and go, all with different belief systems and claims. Having someone tell me they were a witch wasn’t really that shocking. Once, someone in Bellydehobb insisted he was a robot. Another person I went fishing with was convinced he was half-rock. It gets a bit weird down there sometimes.

When mythology and history clash with fantasy.

One of the problems with writing adventures set in 1st and 2nd century Ireland is that they sit way outside the usual literary genres. Very much in the ‘sword’ (rather than in the ‘sorcery’) of ‘sword and sorcery’, when you mix in Irish mythology they almost automatically get assigned to the ‘fantasy’ classification.

Fantasy is an area that sits uncomfortably with Irish people who know their history and culture, as mythology is always culturally based (not fantasy based).

Designing covers for these books therefore becomes even more complicated as you have to ensure the cultural integrity while also balancing expectations of people who expect them to fall into the fantasy realm. These are some of my own attempts to do so, to date.

What Irish People want for ‘Samhain Christmas’

‘With ‘Sam Hayne’ (that legendary Country & Western singer) almost on us again, it’s time when Irish people everywhere must gird their loins for the annual discharge of ‘Oirish Culture’ from Facebook.

This year, out of curiosity, we asked other Irish people what they’d like to see for ‘Samhain Christmas’ and collected a bit less than ninety replies. Fortunately, we’ve managed to consolidate them – very generically – to the eight ‘Samhain Christmas’ wishes below.

So suck in deep, firm those tummy muscles, cross those legs, and … Ádh mór leat, a Sheamais!


What Irish people want for ‘Samhain Christmas’

1) Formally legislate the removal of ‘Happy Samhain’ from the internet (a greeting that makes no sense from either a cultural or language perspective – it’s like being told to “have a Happy Colonisation Day!”)

2) Remove all photos of redhaired ‘Oirish’ children from Oirish Facebook Groups (they’re almost invariably Dutch or Belgian kids)

3) End online ‘Oirish’ Pagan Spirituality (apparently ‘Wicca’/’Celtic Reconstructionist’ wasn’t a good commercial model, hence the name change – still hawking Irish culture for branding purposes, though)

4) Impose a ‘Culturally Offensive Use’ fee on all North American productions of twee Oirish movies (‘Wild Irish Thyme’, not looking at you!)

5) Transport ‘Nazi Celts’ to their own planet (a bizarre cosplaying subgroup of the ‘Oirish White Supremacists’ – usually American – they insist on telling everyone that they’re Celts … despite – apparently – not seeming to know what a ‘Celt’ is).

6) Force ‘Celtic Reconstructionists’ to rewatch ‘Darby O’Gill and the Little People’ three hundred times. No, not a bunch of ‘born-again-Celt’ building professionals, but a group of hobbyists who cherry-pick specific elements of Irish culture as padding for their own fantasy lifestyle. (We’ll take the ‘nice’ parts from your culture and … Eh? What do you mean Famine? Northern Ireland? 80s’ recession? Unemployment? The Sultans of Ping? Bono? … Er, no thanks. We don’t want THAT part of your culture!)

7) Make non-Irish people who use Gaelic forms of their names for branding purposes, introduce themselves as Gaeilge (Dia dhaoibh a chairde! Is mise, Dilín O’Deamhas!).

8) Legislate for people who insist they’re the scions of Irish kings to call their first child, ‘Prince

Please feel free to add your own suggestions for ‘Samhain Christmas’! Given the lack of respect shown by those borrowing our culture, it feels like time to take it back.

Back on ‘The Island’

Walking home on ‘The Island’ three (maybe four?) years ago. I’d gone up to visit the Martello Tower and it was such a beautiful day I decided to walk back to the village.

The place hadn’t changed that much since I’d last been there although the Government has shut off access to the old submarine pens with a half-hearted, delapidated wire fence. The houses were all in a far better state than I remember as a kid. ‘Back inthe day, the Island’ used to suffer some pretty serious poverty and the houses were in far worse nick.

As were the cars.

I remember once seeing an oul fella parking his battered old Volkswagon on a hill in the village. The car was in such a bad state, he had to get a kid to jump out and drop a cement block in front of the tyre to stop it rolling away.

Some overseas individuals with Irish heritage seem to yearn for this ‘simpler’ time. Given the complexity inherent in the world today (plus the sheer effort necessary to operate effectively in society), I can understand that … to a degree but there are some things, none of us in Ireland want to go back to.

Exploring the Irish Otherworld

Four years ago, I got to visit my favourite of the four main entrances to the Irish Otherworld. Generally speaking, these places tend to be quite difficult to get to (for obvious reasons) and have important topographical features that make them stand out from the rest of the terrain.

Practical tip: If you visit the Otherworld, you should always bring a torch!

Yes, progress is being made

I have to confess I always get a kick posting this image up on Facebook. Several months back when I first released the book, I put it on the Facebook shop only for it to be rejected as “the sale of animals is forbidden” (the Facebook algorithm thought it was a zebra!).

When I resubmitted it a second time, the cover was judged as ‘offensive material’ and therefore unsuitable for the Facebook shop. Neeldess to say, I won’t be adding any more products to the Facebook Shop. Ironically, of course I can still post the image without any qualms whatsoever.

Aaaah Facebook!

The conclusion of this story started in this book will be released in December (porbably through the Irish Imbas website) and through the ususal suspects some time afterwards. Further detail on that over the next few weeks.

Meanwhile, here are some of the Amazon reviews for Liath Luachra: The Seeking. As always, I’m very grateful to those people who’ve made the effort to do a review.