Sad News On Irish Mythology

Sadly, I’ll be making some changes to how Irish Imbas Books operates in the future (and there’ll be more detail on that in the Vóg newsletter at the end of the month).

For the past twenty years or so, I’ve used ancient Gaelic cultural and mythological concepts on a daily basis as part of my publishing and creative work. At its most fundamental, Irish mythology is very simple (and very beautiful) when you use it correctly and with respect.

Unfortunately, over the last year or so, I’ve found a disturbing amount of the original material and research I produce, being plagiarised or misused by self-proclaimed ‘Pagans’, ‘Druids’, and ‘Recreational Celts’, desperate to cash in on the fantasy/recreationist interpretations of Irish culture driven by overseas interests. Some of these individuals follow my work with an almost parasitic intensity …

And I no longer wish to feed them.

To start with, I’ve removed all in-depth content on Irish mythology from the Irish Imbas website. I’ll also be substantially reducing the number of articles on this topic released through our social media (although minor posts will continue). l will continue to publish the more in-depth material, but only through platforms I control – my newsletter etc. (but even these will have their safeguards)

The internet (and Facebook in particular) is full of people claiming that Irish mythology is something it’s not, that it’ll fix something it won’t, that it’ll fill some gap in your soul that desperately needs filling.

Unfortunately, it won’t do any of these things because:

(a) it’s not meant to; and

(b) it’s not – and never will be – a ‘product’.

Dark Dawn/ Camhaoir Fulismeartha Launches 11 May

On 11 May, the story Dark Dawn/ Camhhaoir Fuilsmeartha will finally be released online. A creative project that’s been in development for almost two years, I’m feeling both relief and excitement at finally having it ready for launch.

Set in 1st Century Ireland, it tells the tale of a dying warrior who’s been assigned to defend the isolated settlement of Ráth Bládhma (future home of Fionn mac Cumhaill) from an incursion of enemy scouts.

Presented in a unique and experimental format, the story will be available in both Irish and English.

The invitation is currently available as a Facebook event. Just prior to the launch, a link will be made available to all those signed up as ‘attending’. That link will provide access to Dark Dawn and particpants can explore it at their own time and leisure.

If you’d like an invite, send me a request through info@irishimbas.com.

I hope you can join us.

Time for a Change

Ireland: 192 A.D. A time of strife and treachery.

Ireland 2020: Somewhat similar but now we have the Covid-19 virus as well.

Just for information, I’ve set up a new cover for the digital version of FIONN: Defence of Rath Bladhma which you can see above.

The paperback version (currently only at Amazon – here) will retain the existing version although by next month (December) any bookshops will be able to order you the updated cover for the paperback version as well.

There is a plan (kinda) here somewhere. New developments are happening on the Fionn front and that’ll be come apparent early next year.

In case you’re interested; here’s the blurb for the actual book:

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Ireland: 192 A.D.

A time of strife and treachery. Political ambition and inter-tribal conflict has set the country on edge, testing the strength of long-established alliances.

Following the massacre of their enemies at the battle of Cnucha, Clann Morna are hungry for power. Elsewhere, a mysterious war party roams the forests of the ‘Great Wild’ and a ruthless magician is intent on murder.

In the secluded valley of Glenn Ceoch, disgraced druid Bodhmhall and the woman warrior Liath Luachra have successfully avoided the bloodshed for many years. Now, the arrival of a pregnant refugee threatens the peace they have created together. Run or fight, the odds are overwhelming.

And death stalks on every side.

Based on the ancient Fenian Cycle texts, the Fionn mac Cumhaill Series by Irish author Brian O’Sullivan is a gritty and authentic retelling of the birth and early adventures of Ireland’s greatest hero, Fionn mac Cumhaill. Gripping, insightful and utterly action-packed, this is Irish/Celtic fiction as you’ve never read it before.

Epidemics in Ancient Ireland and a Pattern to Remember.

Wherever there are human beings in large numbers, you’ll find microbes and epidemics and although Ireland wasn’t vastly populated in the Pre-Christian era, its people were still familiar with the concept of disease and its spread. Centuries later, medieval writers tended to use the word ‘plague’ when describing early epidemics but, in fact, the term ‘plague’ is very much associated with infectious diseases caused by a specific bacterium (Yersinis pestis).

In ancient Ireland, the individual most often associated with epidemics is Parthalán, a character invented as part of medieval Irish Christian pseudo-history (the term used for false “history” made up by the early Christian church to justify and further their aspirations for power and influence). Parthalán is believed to be an Irish-branded version of Bartholomaeus (better known as Bartholomew in the bible).

According to the very untrustworthy 11th century Christian pseudo-history manuscript Lebor Gabála Érenn  (The Book of Invasions of Ireland), Partholón and his people arrived on the uninhabited island of Ireland three hundred years or so after the flood involving Noah’s Ark. Settling in the one unforested section of the country – Sean Mhagh nEalta – near Dublin, they lived there for thirty years, by which time the population grew to 9000 (nicely rounded to ‘five thousand men and four thousand women’, by the early authors).

Sadly, according to Lebor Gabála Érenn, they all succumbed to plague over the course of a single week at modern-day Tallaght. Interestingly, the name Tallaght is believed to be derived from tamlacht (which means “a grave, set apart”) and the location has a large cemetery dating back to the bronze age.

One variant of the tale (in the Annála na gCeithre Máistrí) has the seer, Tuan, as the single survivor.

The Christian church in Ireland (and elsewhere) often used epidemics  – or the threat of epidemics – as a mechanism to draw new religious recruits into their folds. Epidemics were proactively described in metaphorical terms such as ‘beasts’ or ‘punishments’, with the underlying implication they were sent by destructive forces against which only God – their God – could protect them. Two of the most famous early Irish epidemics (said to have occurred in the six or seventh century) were the Crom Chonaill and the Buidhe Chonaill, the name ‘Chonaill’ suggesting they spread south from Tír Chonaill in the north of Ireland (in ancient Ireland, the idea that evil spread from the north was a relatively common motif). Needless to say, many of the Christian manuscripts on the lives of the Saints from that period have them banishing yellow fever without any problems.

Although you have to take all the early literary and “historical” accounts of Irish epidemics with a large grain of salt, the one common pattern that shines through is how people or entities seeking power or influence will often use such events to forward their own interests. That’s probably something we shouldn’t forget.

Stay safe and well and sending you our warm regards for the difficult days ahead.

The ‘Official’ Story of the Long Woman’s Grave

When I get back home, I usually do at least three or four folklore or mythological site visits to test out various bits of research I’m working on. The Long Woman’s Grave near Carlingfor Lough is a bit of a feint but it’s hilarious marketing would put many other, far more authentic sites to shame.

This is the ‘official’ story of the Long Woman’s Grave (which is situated up in the mountains overlooking Carlingford Lough).

Lorcan O Hanlon was the youngest son of the “Cean” or Chieftain of Omeath. His father, upon his deathbed, ordered that his lands be divided between his two sons, Conn óg and Lorcan.

However, Conn óg tricked his brother Lorcan by bringing him up to the Lug or Hollow in the mountains at Aenagh, telling him that he would give him the land “as far as he could see”. The mist and the bleakness of the hollow was Lorcan’s only legacy (as the walls of the hollow blocked any sight of the surrounding land).

However, Lorcan owned a ship and began trading in the East, making his fortune and becoming prosperous. On one of his voyages to Cadiz, he bravely saved the lives of a Spanish nobleman and his daughter. Lorcan was enchanted by Cauthleen, a Spanish descendant of the great O’Donnells of Ulster and he fell in love with her. The pair made a handsome couple as she was 7ft tall, only three inches smaller than Lorcan.

Cauthleen was already engaged to be married but was wooed by Lorcan’s professions of love and the promises of the the good life they would have back in Omeath. The pair eloped. When the couple arrived in Carlingford Lough the locals were enchanted by this tall beauty adorned with jewels.

The couple set along the mountain path until they came to the Lug or Hollow in the rocks. Lorcan bade his bride to stand in the centre and look around as far as she could see as he “Was Lord of all she could survey”. Cauthleen looked around, so great was her disappointment at the realisation of what she’d left behind in Spain, she fell to the ground and died.

Lorcan was horrified that his duplicity had caused his wife to die and flung himself into the murky waters of the marsh at the crossroads. His body was never recovered. The locals found the long woman’s body and dug a grave for Cauthleen in the “Lug Bhan Fada” (Long Woman’s Hollow) where she lay. Each person laid a stone on the grave to raise her burial cairn and here she sleeps today in the hollow of her disappointment and unfilled promises.

 

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Needless to say, the story is complete tosh used for the more gullible tourists (but, holy hell, there’s quite a few who actually believe it!). Last time I was there (last year) there were two minibus loads of tourists hanging around, taking pictures. For the cheap investment of a story and a few hastily arranged rocks, the site has proven a remarkably effective (and hilarious) income stream for the locals.

 

The marketing campaign for ‘The Long Woman’s Grave’ hit another notch in 2016 when … Well, just read it yourself. This is from the ‘Irish Independent newspaper:

October 29 2016 12:00 AM Irish Independent

As proposals go it was daring, divisive, and imaginative. Self-proclaimed Leprechaun Whisperer Kevin Woods, whose leprechaun cavern is listed on TripAdvisor as the second most popular thing to do in Carlingford, announced that he was going to exhume the remains of the Spanish princess who is buried at the Long Women’s Grave and re-inter her a grave over looking Carlingford Lough.

He told the willing national media that the Spanish Nobel woman had dropped dead on the spot after being deceived by Lorcan O’Hanlon from Omeath who had wooed her with his boast that he owned all the land the eye could see. When she saw his kingdom at a hallow near the Windy Gap she was so shocked that she dropped dead and later buried on the spot by locals.

‘It was a horrible thing to do and it needs to be put right. No one deserves an end like that” said Kevin. “I intend to write to the Spanish Minster of Foreign Minister Affairs José Manuel García-Margallo of the People’s Party (PP).to secure support and to Charlie Flanagan own Foreign Minister.’

Local Cooley Tourism Officer Frances Taylor an employee of The Omeath Development Company, entered the fray commenting: ‘I believe Kevin’s heart is in the right place but the people of Omeath will fight tooth and nail to keep her where she is.’

The Omeath Development Association responded, organising a protest march at the Long Women’s Grave on Friday night, which according to Frances was attended by ‘around 180-200 protesters including five of the land owners and locals that work in the Midlands and Dublin travelled to be present.’

The story of the Long Woman was recounted and it was suggested that an annual wake be held at the grave in her honour. The possibility of increasing security at the site was also discussed. Comments on the Association’s Facebook page, however, show that people were unsure whether Kevin’s proposal was a serious threat to remove part of their heritage or a publicity stunt.

Suspicions that it was the latter were fuelled by his announcement: ‘In view of the magnificent turnout by the people of Omeath to protect the Long Woman I have decided to end my efforts to have her moved and will concentrate instead on moving the magic hill at Jenkinstown to Carlingford.’

The truth may never be known but it certainly got people talking.

If you’re ever thinking of starting a business in some out of the way location, ‘The Long Woman’s Grave’ is certainly a good working model!

Ireland’s Most Incompetent Warrior

I’ve got to admit, I’ve always kinda liked Lóegaire Búadach (Lóegaire the Victorious).

Ulster Cycle hero, contemporary of Cú Chulainn, husband to Fedelm Niochride and warrior in Conchobhar mac Nessa’s court, Lóegaire’s main function seems to have been as a comedic extra on the periphery of the principal action. In that respect, Lóegaire Búadach often filled the role of inept everyman, the hapless loser we all have a soft spot for.

Lóegaire first appears in Fled Bricrenn (Bricriú’s Feast) where he’s generally represented as a somewhat inept third contender for the Champion’s Portion (a prize that he and the two other Ulster warrior heroes, Cú Chulainn and Conall Cernach, are competing for). In every competition the three partake in, Lóegaire inevitably comes off worse.

When the three heroes meet an ogre on their way to Cú Roí’s dwelling, Lóegaire is forced to flee without his weapons, horses, chariot and charioteer. Later when the heroes stand guard at Cú Roí’s dwelling, another ogre casts him into a pile of cowshit. When they’re sent to fight the Amazon’s of the Glen, the Amazons strip him of his clothes and weapons and, humiliated, let him leave.

Lóegaire’s most embarrassing story, of course, is the story of how he died.

When King Conchobhar mac Nessa discoverd that his wife was being unfaithful with the poet Aed, he immediately ordered the latter to be put to death. Because of his status as a poet however, Aed was offered the opportunity to choose the manner of his death and, having a secret spell to dry up water, he slyly opted for ‘Death by Drowning’.

Despite several attempts to submerge him in local rivers and springs (that all mysteriously dried up), Conchobhar’s men eventually dragged the poet to Loch Lai (extremely close to Lóegaire’s residence). Here, with Aed’s spell now waning, they were finally able to get him into the water.

Hearing the poet’s yells for help, Lóegaire jumped up for his sword, outraged that anyone would treat a poet in such a manner and determined to save him. So outraged was Lóegaire, that he forget to duck when hurtling out through the door of his dwelling and subsequently managed to have the top half of his head sheared off by the low lintel.

With his clothes coated in gore and half his head missing, Lóegaire demonstrated that, in fact, his brain was superfluous to his fighting ability. In the ensuing battle, he killed thirty of Conchobhar’s men before he finally dropped dead.

And of course, Aed slipped away unharmed.

 

Note: This was originally published on 28 Sep 2016

A Dead Queen and Stones on a Sacred Hill (Irish Mythology)

Heading north in County Sligo, the outline of Knocknarea is clearly visible in the distance. The origin of the hill’s Irish name has been lost to time but there’s no shortage of suggestions, varying from Cnoc na Rí (hill of kings – my preferred option) to Cnoc na Ré (hill of the ages, or possibly, moon) to many others.

Like most of the Sligo mountains and hills, Knocknarea has a cairn (an enormous mound of loose stones dating back at least 2500-3000 years that usually conceals a passage-grave beneath) which is also very visible and is probably one of the biggest in the country.

In Irish, this particular cairn is called Meascán Méabha, which roughly translates to ‘Méabh’s Lump’ and it relates of course to Méabh Leathdearg or Méabh of Connacht (anglicized needlessly to Maeve) who played such an important role in the great Irish epic Táin Bó Cúailnge (The Cattle Raid of Cooley). According to the remaining literature, when she died Méabh was buried upright at that site so that she could face her Ulster-based enemies.

That’s all a bit of a fanciful conceit of course, given that Méabh was originally a land goddess (a representation of Mother Earth) transformed into a human personage over the ages. Needless to say, a lot of people continue to take the Táin Bó Cúailnge literally however, and hence get a bit excited when they come to Sligo and visit it. They also tend to get a bit outraged when they learn that the cairn has never been excavated until you point out there are literally tons of cairns all over the locality and given the unlikelihood of Méabh actually being buried there, it makes more sense to focus limited national archaeological resources elsewhere.

Undeterred in their conviction that this is the final resting place of some famous queen, some of them are driven to continue uphill to gather cairn stones as souvenirs which they then carry away with them.

To the point that it’s now becoming something of a conservation issue.

It’s often part of the human condition that we can’t just look at and respect what’s directly in front of us. Driven to interfere and meddle, we often end up destroying the very thing we love. Fortunately, there are still plenty more stones on the cairn but if people keep nicking them, it’ll eventually end up being unintentionally excavated far sooner than expected.