Brú Theatre are presenting an interesting virtual reality project around the Gaeltacht communities in Donegal, Mayo, Galway, Kerry and Cork from the 11th to the 20th of June. As part of the proposed approach, small audiences will be presented with scenic views and soundscapes of Ireland’s west coast, then virtual reality headsets will be distributed to show three individual 180° short films.
The films – shot in Connermara – will present an immersive mix of Irish language, music and poetry will be based on texts from Irish witers such as Nuala Ní Dhomhnaill and Máirtín Ó Cadhain.
Brú Theatre are a small theatre group based in Galway who present bilingual works in Irish and English (they’re the one who created and produced the visually captivating ‘Fisherwives’). Ar Ais Arís was commissioned by the Galway 2020 / Áistriú project.
An interesting segment from Sinéad O’Connor’s biography in the Irish Times today.
To be honest, I’ve always been in two minds with respect to Sinéad. One part of me thinks of her as a somewhat obnoxious and needy individual who’s desperation for attention outweighs anybody else’s opinion.
Another part of me has a bit more compassion and sees both the anguish of the extreme mental health issues she’s dealing with and the creative work she’s produced as a result of that.
Both impressions, of course, are built on nothing more than half-glimpsed newspapers headings – rarely a source of credible detail.
I may get her book (if I find the time/opportunity) but I do wonder whether she’d be a ‘reliable narrator’.
Meanwhile, judge for yourself. You can find the article HERE
Producing and distributing a professional ‘product’ takes time and effort (or a lot of spare money!).
One of the issues asociated with being a niche, part-time creator therefore, is that competing priorities generally constrict you from achieving the things you want to achieve (in the time you want to achieve them). Add in family, other work and life-altering events (Covid-19, earthquakes,etc. etc.) and the opportunity for creative output decreases even further.
Since I first started producing my own products through Irish Imbas (since 2014, I think ), I’ve been regularly frustarted at having to shut down my creative projects in response to other priorities – sometimes for years (and , yes, people are still hassling me about getting the next Beara out!). Unfortunately, that’s the cost of maintaining control over your own work while you’re still involved in another career and immersed in other circumstances. Still, like any creator, you can grow your portfolio over the years and eventually end up with a body of work you can be proud of.
This year. I’ll finally see the fruition of three projects I’ve been working on (on a part time basis) for over two years. Liath Lauchra: The Seekingis already complete, Dark Dawn/Camhaoir Fuilsmearthais coming out in May 2021 and Liath Lauchra: The Metal Men should be avalilable a few months later.
There really is no greater satsifaction for a creator than that.
This was all triggered from a Facebook “memory” from four years back:
THE COMPLETION OF TWO PROJECTS, THE START OF ANOTHER The first batch of hardcopies for FIONN: The Adversary arrived this morning. Fifteen copies and they’re already gone, mostly committed to people who’ve helped with the production, editing, reviewing etc. I think I have a single copy left which is remaining here on the home shelf.
Even after all these years, there’s still a great thrill and satisfaction in seeing all your intellectual work captured and consolidated into physical form. Digital copies are fine but I still prefer the tactile experience of flipping pages and the tangible weight of a book in my hand when I’m reading. [Full article at: Completion of Two Projects]
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