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The Thinking Woman’s Warrior

I’m delighted to announce that the third book in the Irish Woman Warrior Series is now out and available at all the ususal ebookstores. The paperback version is still available only through Amazon but that will change).

Definitely the most popular of all my book series, this is a brief description of what its all about:

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The Irish Woman Warrior Series is based on the adventures of the woman warrior Liath Luachra and her mercenary fian (war party), Na Cinéaltaí (The Friendly Ones).

Set against a backdrop of encroaching forest, mythic ruins and treacherous tribal politics, Liath Luachra tells the story of a damaged young woman who can count on nothing but her wits and fighting skills to see her through. Rising above the constraints of her status and overcoming her personal tragedies, she emerges Ireland’s greatest warrior and a protector whose influence lives on one thousand years later.

You can find the full background and details on the new book here: THE SEEKING

Shake

These images from the Cork Midsummer Festival caught my eye recently. They relate to a performance called ‘Shake’ by Laura Murphy (an independent dance artist choreographer) which was part of the festival. I thought the images were an ingenious merging of humour and epic backdrop.

You can find out more about the performance itself (note it doesn’t actually take place on the Ringiskiddy mudflats!) HERE

Fionn, Fenians and Wild Irish Pigs

Wild pigs, especially boars, were exceptionally important in ancient Ireland due to their abundance throughout the wilderness and their usefulness as a food source. Wild pigs therefore form an important part in ancient stories and tend to pepper the established mythological associations.

Pigs were particularly associated with the Fenian Cycle tales and, indeed, wild pigs form an important narrative element across the range of Fionn mac Cumhaill’s life. The Macgnímartha Finn, for example, reports how, in his early years, the young Fionn defeated his first wild boar in Cuilleann in a kind of coming of age ‘warrior event’ (often used in ancient stories to give characters a certain kudos).  That goes as follows:    


Then he (Fionn) went forth to Cullen of the Uí Cuanach, to the house of the master smith Lóchán, who had a very beautiful daughter, Cruithne by name. She fell in love with the youth.

Apparently, Lóchán was very impressed with the young Fionn (although, amusingly, the Macgnímartha Finn never actually says why) and reacts – ahem – as most fathers would.

‘I shall give thee my daughter, though I know not who thou art.” Thereupon the girl slept with the youth.

“Make spears for me,” said the youth to the smith. So Lóchán made two spears for him. He then bade farewell to Lóchán and prepared to make his away.

“My boy,” said Lóchán. “Do not go upon the road on which is the sow called the Beo. She it was that devastated the mid­lands of Munster.”

But what happened was that youth travelled upon the very road on which the sow was to be found. There the sow charged him but be thrust his spear at her, so that it went through her, and left her without life. Then he took the head of the sow with him to the smith as a bridal gift for his daughter.

Hence is Sliabh Muice (Pig Mountain) in Munster situated.


That hill (no Sliabh na Muc) is located between Tipperary and the glen of Aherlow. In ancient times, the glen was an important travel route between the districts of Tipperary and Limerick so it’s no real surprise to find such stories associated with it.  

Towards the end of his life, another boar plays an important role in Fionn’s story. That occurs in An Tóraíocht when Fionn has supposedly made peace with the warrior Diarmuid Ui Duibhne (who earlier betrayed Fionn by eloping with his future bride, Grainne).

Visiting Diarmuid in his home in Sligo, Fionn joins the warrior in a boar hunt around Benbulbin. During the hunt, the creature gores Diarmuid badly and although Fionn has the power to heal him by letting him drink water from his palms, he refuses to do so.

Pressed by his grandson – the warrior Oscar – a friend of Diarmuid’s – Fionn relents but still overcome by bitterness, he twice lets the water flow through his fingers before he can raise them to Diarmuid’s lips. Finally, when threated by Oscar, Fionn does the right thing but by then it’s too late and Diarmuid has succumbed to his wounds.

Although wild boar may have once been native in Ireland, it became extinct in prehistoric times.  Since then, the environment has changed substantially, and if reintroduced, they would now be considered an invasive/pest species as they’re likely to have a huge impact on local habitats and wildlife. Despite this, there were some interesting happenings in Kerry recently when people were asked by the Parks and Wildlife Service to report any sightings of a large male boar running wild in the Cordal and Mount Eagle area.

I guess there’s always going to be some ‘eegit’ with a wild pig agenda!


I currently have a new series in development based around the adventures of an Irish sportswoman living in the west of Ireland. Set just a few years in the future, I’ll probably be using a lot of Gaelic Athletics Association (GAA) content for inspiration.

Attached is one of the better ads for Irish women’s football which is close to what I’m looking for in terms of style (although a pity about the whole Lidl branding).

Expect a kind of Liath Luachra in sports shorts and boots.

THE AD

Note this probably won’t be available for a year (or more) at least.

The Bird with the Cat’s Head

An Ceann Cait’ – ‘The Cat Head’ owl – is an intriguing part of the Irish landscape, particularly as its ‘working hours’ and natural camouflage make it extremely hard to see. That visual rarity give the bird a bit of a ‘mysterious’ reputation and, hence, there’s been a lot of mythology or folklore ascribed to it. Unfortunately, like much ‘Irish mythology’ out there on the internet, it tends to be more recently invented or the result of contemporary interpretations on topics that aren’t fully understood. To be honest, in its natural environment, the bird’s behaviour is fascinating enough and it doesn’t really need a whole bunch of fantasy background or meaning (or worse, the term ‘Celtic’) applied to make it more interesting.

I was lucky enough to see An Ceann Cait once a few years back, and although the feline ears, facial disc and broad eyes gives the animal a ‘stunned’ expression that looks quite comical, it’s actually a ruthless little predator (mostly preying on mice and other rodents but they take down small birds as well).    

I ended up using the animal in the first chapter of ‘Liath Luachra: The Seeking’ (which is also the short story ‘The Winter Cave’) as it served to present the protagonist with an effective foil for self-reflection. I intentionally kept away from any supernatural or mythological leanings, though.  As mentioned earlier, the animal’s already interesting enough in its own right and like most of the ‘magic’ or ‘meaning’ modern-day spiritualists seem so desperate to find, its often sitting directly in front of you.

Potentially on a branch.    

Ar Ais Arís

Brú Theatre are presenting an interesting virtual reality project around the Gaeltacht communities in Donegal, Mayo, Galway, Kerry and Cork from the 11th  to the 20th of June. As part of the proposed approach, small audiences will be presented with scenic views and soundscapes of Ireland’s west coast, then virtual reality headsets will be distributed to show three individual 180° short films.

The films – shot in Connermara – will present an immersive mix of Irish language, music and poetry will be based on texts from Irish witers such as Nuala Ní Dhomhnaill and Máirtín Ó Cadhain.

Brú Theatre are a small theatre group based in Galway who present bilingual works in Irish and English (they’re the one who created and produced the visually captivating ‘Fisherwives’). Ar Ais Arís was commissioned by the Galway 2020 / Áistriú project.

Needless to say, I’m very jealous I’ll miss it.

Reading Material ‘as Gailege’ for Kids

One of the big problems I experienced raising my kids ‘as Gailege’ in New Zealand back in the early 2000s, was trying to get decent reading material to teach them with. Back then, there was relatively few ‘modern’ books for children (particularly in somewhere as isolated as New Zealand) and the cost of ordering them from the likes of ‘Siopa Leabhar’ and other outlets (who insisted on charging VAT even for overseas sales) was prohibitively expensive.

Fortunately, I was able to return to Ireland on a relatively regular basis and, on each occasion, I’d scour the shops for suitable books in Irish. One series of books which my kids absolutely loved was the ‘Cití Cailleach’ series (the Cití the Witch series) translated to Irish from the original ‘Winnie the Witch’ written by Valerie Thomas and illustrated by Korky Paul.

Yesterday, my daughter (now grown up) discovered a batch of the books we’d kept and was desperately looking for the Cití Cailleach series. Sadly, I’d passed them onto other Irish parents who were trying to raise their kids ‘as Gaeilge’.

As I was looking online however, I found this excellent video resource at Glór na nGael where one of the book is very ably read by Donach. I wish I’d had this kind of resource all those years ago!

You can find the you tube video HERE

LIATH LUACHRA: The Seeking – “THE BEST BOOK YET”

After the release of Dark Dawn/An Camhaoir Fuilsmeartha, I took a break for a few weeks, however this weekend I intend to recommence work on the next Liath Luachra (The Metal Men).

I also caught up with up a few reviews on Goodreads for Liath Luachra: The Seeking and was particularly gratified to find these two from Andrea and Peter – two people who’ve been incredibly supportive since the series’s inception. I value both of their opinions highly so this was a big thing for me.

Liath Luachra: The Seeking is currently available on Amazon in paperback but in digital form only at the Irish Imbas Books website. The digital book will be available everywhere from 30 June.

I’m hoping to release the next book in 3-4 months time but I’ll revela more on that in the next newsletter.

Sinéad

An interesting segment from Sinéad O’Connor’s biography in the Irish Times today.

To be honest, I’ve always been in two minds with respect to Sinéad. One part of me thinks of her as a somewhat obnoxious and needy individual who’s desperation for attention outweighs anybody else’s opinion.

Another part of me has a bit more compassion and sees both the anguish of the extreme mental health issues she’s dealing with and the creative work she’s produced as a result of that.

Both impressions, of course, are built on nothing more than half-glimpsed newspapers headings – rarely a source of credible detail.

I may get her book (if I find the time/opportunity) but I do wonder whether she’d be a ‘reliable narrator’.

Meanwhile, judge for yourself. You can find the article HERE

Scéal

‘Scéal’ is an interesting little story-based game I came across last month (although it was actually released way back in 2016!). Originally created by Sandro Magliocco, the Slovakian-based developer drew on childhood holidays in Carlingford to set the overall look and design of the project.

‘Scéal’ tells the story of the ghost of a young girl who’s trying to work out where she came from and how she died. To do this, she has to travel through the watercolour world of a magical storybook, using paint strokes to reveal elements of her backstory.

Some of the marketing and advertising for the game suggests strong links to Irish folklore and mythology but in fact, there’s no real connection to established native folklore (or if there is, it’s fanciful and paper thin). This game is essentially a fantasy ghost story that takes place in an Irish setting with moody Irish background music but, that said, it’s a lot better than a lot of the ‘Oirish’ themed stuff coming out of the States at present.

Overall, the game is absolutely gorgeous to look at and the music (by Sean-Nós singer Lorcán MacMathúna) is particularly outstanding. You can get a sense of what it looks like HERE.

Apparently, the game can still be downloaded via Steam and other sites.