Some old (and slightly mysogenistic) Covers

I’d just started the process of redesigning the Fionn mac Cumhaill Series book covers this week when these arrived in yesterday as part of a historical post.

About eight years ago, I’d commissioned some covers and the artist came back with the attached images. At the time, although I was really impressed with her design skills (she did the first Liath Luachra book cover and one or two more) I felt these images were very ‘genre dated’ – harking back to the misogynistic, old-style, fantasy covers of the sixties, seventies, eighties and nineties.

It’s also worth noting that there was absolutely no stock images out there to represent 1st/2nd century Ireland in a meaningfully accurate way (and there still isn’t, hence my preference for hiring my own illustrators).

I never used these versions but went with a far more restricted set that I’ve slowly being replacing over the years. I’m hoping to start introducing the new covers in the next edition of my newsletter (Vóg).

Monoliths

Monoliths by Jonan Booth Remmers.

Obviously, we have many variations of these back home, particularly around the Cork-Kerry area. People tend to forget however, that what we see today are little more than the ‘bones beneath the skin’.

Most of these structures are the remnants of something that existed thousands of years ago. They don’t look the same today as they were when they were first embedded into the land.

Coming in 2024

After a hectic, but production poor 2023, I’m proactively returned to creative mode. At the moment, my key focus is on finishing ‘FIONN: The Betrayal’ – the fifth book in FIONN mac Cumhaill Series and, probably, the second last.

This particular work has been a lot harder to write than most other books in the series thus far. That’s not really a surprise as it’s also the first book to start reeling in all the different plotlines spread across the FIONN series (and some elements from the overlapping Liath Luachra books).

For that reason, it’s a lot more ‘talky’ and includes far more character development than many of the other books but that’s critical to maintaining an appropriate narrative pace leading up to the series culmination.

That’s all boringly technical, I know, but the last thing I want to do is rush the story (in a manner similar to the last season of the Game of Thrones television series, for example).

I’m hoping to publish this on the Irish Imbas website at the end of March /start of April. It’ll then go wide to all the other ebookstores a month or two after that.

On completing this book, I had intended to start the next in the Liath Luachra series but, given the overlapping narratives, it’s important that I’m further along in the next FIONN series before I can do that. As a result, I’ll probably start immediately on the sixth FIONN book (title not yet decided).

I’ll also be working on a shorter Liath Luachra work (LIATH LUACHRA: The Quiet One) once that’s completed. That will follow the story from ‘Liath Luachra: The Great Wild.’

Not to be confused with ‘The Quiet Girl’.

My last priority is non-fiction work entitled ‘Irish ‘Mythology 101 (How Irish ‘Mythology’ Works) which I’ve been working on for some years but which I’ve regularly had to put aside due to other commitments.

This should be available by the end of the year.

I have other projects and creative work on the go, but these are the ones I’m focussed on delivering in 2024.

Maith agaibh!

Ten Years

It’s hard to believe but it’s now coming up to ten years since I first started publishing books on Irish culture and Irish cultural belief systems.

Back in 2013/14, I’d originally planned to write (and publish through a mainstream publisher) a non-fiction book related to Irish Fenian stories. What I ended up discovering through my research however, completely upended my plans (both in terms of WHAT I decided to publish and HOW I published)

I started off with BEARA: Dark Legends in 2014, as it was closest to my heart. After that, I published FIONN: Defence of Rath Bládhma which subsequently went on to become a finalist in the SPFBO competition (it came in 4th place out of 300).

Over the following ten years, I published about 1-1.5 books a year and currently have 14 books on the catalogue (with some separate short stories/novellas and another book to come out in the next 3-4 months).

Throughout those ten years, I learned a huge amount about Irish ‘mythology’, what people think that is, and what it really is. One of my more ambitious projects is to produce a work on those findings by the end of the year. I also learned a lot about computer game production, script writing and negotiating with Hollywood lawyers.

I’ve also learned that no matter what my plans, life will always come barging in to disrupt them. That was originally a source of great frustration for me, but I’ve got over myself and just learned to accept it.

Creatively, I’ve become faster at producing work and the books and other products. Meanwhile, the works I’ve developed continue to increase in popularity (which is a reward in itself, of course).

Over the next year or two, I’m hoping to get to a point where I can support myself uniquely through my creative work and I’m very grateful to all those people (readers, reviewers, advisors, etc. ) who’ve supported me over the years and helped me get to this place.

Go raibh mile maith agaibh!

Fionn mac Cumhaill … The Poet

A lot of people tend to forget that Fionn mac Cumhaill also held a reputation as a talented poet (which has a whole bunch of relevant associations) and the Fenian narratives are strongly linked with what’s generally referred to as ‘nature poetry’.

A number of ‘nature poems’ are actually attributed to Fionn (and I’ve a bridge to sell you if you believe that). This one is a 9th century poem (in Irish and English) which was translated by the German philology scholar, Kuno Meyer, back in the early 1900s.

Note, this was written in 9th century Irish, so it’s quite different to modern Irish. I have to say, though, Meyer did a superb job of the translation.

Scél lem duíb

Dordaid dam

Snigid gaim

Ro-faíth sam

Gàeth ard uar

ísel grian

gair a rith

ruirthech rían

—————

Here’s a song

stags give tongue

winter snows

summer goes

high cold blow

sun is low

brief his day

seas give spray.

Darthuala

‘Darthuala’ – a variant name for Deirdre (as in Deirdre of the Sorrows) – by British artist Henry Tidey. Tidey produced this sometime back in the 1980s.

The painting was based on James Macpherson’s somewhat fraudulent representation of Gaelic works which, amusingly, makes this ‘a reinterpretation of a misrepresentation’.

It’s quiet surprisingly how common this is, even in contemporary society.

Actually, perhaps even more so!

An Teachtaire

‘An Teachtaire‘ is an Irish-language book written by Colmán Ó Raghallaigh and published through the excellent Cló Mhaigh Eo.

An Teachtaire can be translated as ‘The Messenger’ in English but of course there are a number of cultural connotations the English version misses out.

In this book, the title refers specifically to Saint Patrick who is seen as the ‘messenger’ of a higher power. In my own Fionn mac Cumhaill Series, I use teachtairí (the plural form) in a far more detailed and historically practical way, essentially portraying them as individuals who communicate between different tribes.

Given the importance of this role, the individuals acting as teachtairí had to be carefully chosen. Individuals with connections (intermarriage etc.) between tribes would certainly have been considered, but they’d also have to be individuals of standing within the two different groups. Most importantly, they’d have to be considered trustworthy.

The various dynamics are covered off pretty well in FIONN: Traitor of Dún Baoiscne but, at the moment, I’m having a lot of fun writing about a teachtaire in FIONN: The Betrayal who has absolutely none of the skillsets mentioned above.

The Problem with Series

I was trying to explain to someone yesterday about how I ended up having four different book series on the go at the same time.

Beara: Dark Legends was my first book but it’s the type of book that takes ages to write (not linear and it’s actually two different – but interlinked – stories) so I started the Fionn series.

After two books from that series, I wrote the first Liath Luachra book as a prequel but it ended up being more popular so I wrote a second one. Since then I’ve written two more Fionn books and have a fifth coming out early next year. That series will finish with the sixth book.

When Hollywood showed an interest I had to write two more Liath Luachra books as they wanted enough content for three seasons if it got off the ground. I the added a prequel. As a result, I currently have five Liath Luachra books out.

Needless to say, I get at least one email every month from readers demanding the 2nd Beara, the 5th Fionn, the 6th Liath Luachra etc.

Sheesh!

More on the Beara Trilogy next year!

Imagining Iron Age Ireland …

What was prehistoric Ireland like 2,000 years ago? Before Christianity, when it was likely an Island with a population of 100,00 – 200,00 people?

And how you get that across for a contemporary audience?

I discuss this with the Irish Stew gang on the latest Irish Stew Podcast interview.

You can find the link here: Irish Stew Podcast

“A unique merging of beauty and action”

Over the years, I’ve been lucky with some very generous reviews of my books but I’ve only recently realised that I’ve reached something of a peak with ‘Liath Luachra: The Great Wild’.

This book is currently sitting with a five star rating on Goodreads … because every review of the book has given it a five star rating!

That’s not something I’ve ever achieved before and although I know it can’t possibly last, the fact that its reached this point with no launch activity to speak of, and very limited advertising, is quite astounding in itself.

As always, a huge thanks to those of you who’ve made the effort to write a review.

Míle buíochas daoibh!

You can find the Goodreads reviews page HERE

Shadow Conflicts

These days, thanks to many decades of misinformation (and an unregulated internet), most non-Irish people (and, sadly, some Irish people) can’t tell the difference between a Gael, a Celt, a Viking, a Gaul, a Pagan/Wicca, a Skyrim warrior, a Briton, a Saxon, a Pict, blah, blah, blah, etc. etc. and if you look at many English-language representations (particularly in gaming) you’ll find that they use a mish-mash of completely different cultures for each.

I’ve recently been researching various conflicts and battles between the early European peoples and the Roman Empire and, of course, the long-term engagement between the cultures is far more complicated than you’d think. Interestingly, most of the imagery around this subject also tends to be Eurocentric in nature (the Gauls and the northern German tribes).

The above image by talented French artist Thibault Ollier, pretty much epitomises how most western people visualise those early conflicts. Applying the historical story to the reality to 1st century Ireland means a certain amount of adaptation is going to be an interesting challenge for the next book in the Liath Luachra series if I want to make it work on both a creative and culturally authentic basis.

Siúil leat, a Chrom!

Crom Ag Siúl

Ireland’s ‘Culture Night’ kicks in tonight (depending on what part of the planet you’re on) and its very cool to see Macnas running the giant Crom through the streets of Athenry (with drummers and assoicated escorts).

I have to admit, the staggering array of events on Culture Night is probably the one thing I miss most about Ireland these days.

Siúil leat, a Chrom!