Ráth Meadhbha

Ráth Meadhbha is looking a bit run down these days but after 3000 years (best estimates put its construction in the early Bronze Age (2000–1500 BC) I guess that’s pretty understandable.

Climb in over the shaky ‘geata’, slip through the trees and you find yourself in an open field that could be a farming meadow anywhere in Ireland.

It’s only as you return to the road and notice the wide, almost indistinguishable ditches to either side that you realise you’ve been standing in the ‘lis’ of an enormous ráth.

Although the ráth’s current name relates to Meadhbh Leathdearg (or Meabh or Cruachan) it’s obviously got little connection with the mythological character. It’s not clear when that name was assigned but at a rough guess (without checking) it was around medieval times (at the very least 1000 years later) when they were just as good at self-promotion as in contemporary times.

Odin Land

I came across this beautifully moody pic by Italian-based artist Daniele Gay this morning while researching a new cover concept. Generally his work tends more to dark sci-fi or futuristic imagery but he has the occasional more ‘historically based’ works as well.

Generally, in my day-to-day work, I don’t place too much focus on Norse mythology or storytelling. There are certainly overlaps with Gaelic/Irish mythology but both are very different given the very distinct cultures they originate from (despite what you’ve heard or seen on social media where some people can’t seem to tell the difference! 🙂 ).

Given the quality of this particular image, however ….

Oisin Rides to the Land of Youth

This beautiful painting is entitled “Oisin Rides to the Land of Youth”. Painted in 1936 by American artist Newell Convers Wyeth. it represents a more Anglophile view of Irish mythology that many non-Irish creators continue to produce today.

You can’t fault Convers Wyeth however. A talented illustrator and painter, he produced a huge body of work in his time. This included well over a hundred ‘action/adventure’ style images for book covers.

I can imagine, he’d be in high demand today.

Last Days of the Liath Luachra Sale

The first book of the Irish Woman Warrior Series has been on a trial sale for the last two weeks but this will soon be coming to a close.

Liath Luachra: The Grey One is probably the favourite book (and Liath Luachra is the favourite character) of readers who follow my mythological adventure stories, so if you want to get a ridiculously cheap introduction to her, you only have a few days left.

And you can find that book HERE

Set against a backdrop of encroaching forestmythic ruins and treacherous tribal politics, the Irish Woman Warrior Series (or the’ Liath Luachra Series’) is a series of books based on the adventures of the woman warrior Liath Luachra and her mercenary fian (war party), Na Cinéaltaí (The Friendly Ones).

It tells the story of a damaged young woman who can count on nothing but her wits and fighting skills to see her through. Rising above the constraints of her status and overcoming her personal tragedies, she emerges Ireland’s greatest warrior and a protector whose influence lives on one thousand years later.

Next Book in the ‘Production Line’

Although I’m close to finishing Chapter 8 of Fionn: Stranger at Mullan Ban, today I’m writing an outline for Chapters 1-3 of ‘Liath Luachra: The Great Wild’.

The next book in the Liath Luachra Series, it’s actually a prequel to the current set of books. The character is much younger and far more feral and hence it’s a lot of fun to write.

Developing A New Series for Irish Imbas

Today, I’m scoping out a short series based around a little known Irish battle.

At this stage, it’s looking like a limited series with only three books and I’m hoping to start writing it about mid-way through next year. This is so I can allow myself time to finish another Liath Luachra Series (and hopefully a Fionn mac Cumhaill Series) book.

At present, the cast of characters include a womanizing warrior, his wife, and a warlike religious zealot. The characters, supposedly based on real people, are one of the key reasons I was drawn to this story.

Further announcements on this project will come once, I’ve completed the first book.

Dark-Eyed Girl

I’ve been asked several times where the ‘look’ of Liath Luachra came from.

I’d have to say, the main ‘look’ began with a canvas print from Luis Royo, a Spanish artist famous for his fantasy style images back in the 1980s and 1980s (although he’s still going). A lot of Royo’s work from that period reflected the sexualised fantasy portrayal of women of the time – usually half naked, occasionally with armour and swords (google his name and you’ll see what I mean).

I think I came across Royo’s ‘The Wait’ around 2014 when I first started writing notes for the initial Liath Luachra book (which was really mean to be nothing more than a short prequel book for the Fionn Series). I already had a clear image of the woman’s personality and physical appearance at the time, as the character was pretty well developed for Fionn: Defence of Rath Bladhma. The ‘Grey One’ book however was far darker and far deeper and I needed an image to reflect that. In my head, I had no idea until this turned up on my screen.

The Wait is from Royo’s book ‘III Millenium’ which depicts women in scenes from a harsh future landscape. The character in the image really appealed as it captured a tangible sense of solitude and loneliness but also avoided the sexualised cliches which I really wanted to avoid.

When I had the initial cover brief developed, I included this but sadly a miniscule budget meant I was restricted to stock photography. Fortunately, I received permission from a gracious pair of Australian artists/cosplayers to use one of their photos and that’s the Liath Luachra who turned up on the first cover.

That said, there is a secret to Liath Luachra that most people aren’t aware of and which I’ll be writing about in the next few weeks.

Irish Book Sales

For lovers of Irish mythology books, Irish historical fiction books, Irish historical fantasy books, Irish adventure books and Irish action books!

Circumstances beyond my control mean I won’t be returning to the office until the end of July. As a result, the sale of our two bestselling Irish adventure books:

Fionn: Defence of Rath Bladhma

and

Liath Luachra: The Grey One

will continue until 31 July.

When it was first published, ‘Fionn: Defence of Rath Bladhma‘ became a finalist for the 2016 SPFBO competition (it came in at 4th place)

Liath Luachra: The Grey One, meanwhile, was adapted for the screen as a potential television series by Graisland Entertainment.

Needless to say, we’re very proud of both books.

Out Communing with … er … Trashing Up … the Ancestors

There’s a lot of fun to be had visiting the many old megaliths and cultural sites back home, particularly in Cork and Kerry where we’re absolutely spoilt for choice. With numerous ráthanna (avoid using the English term ‘ring-forts’), galláin and many others, most are located in beautiful locations that are often as worth visiting as much as the sites themselves.

With the growth of mass ‘cultural heritage tourism’ here over the last few decades and the huge increase in visits to such sites from overseas travelers however, many of the sites are now starting to be littered with junk; coins, ribbons, shells, papers, bits of string – you name it, you’ll find it.

Most of these are left as “votive offerings” by people who don’t really understand what the sites were or the cultural context behind them. Others mistake them as areas of adoration or supplication to ‘gods’, ‘saints’, wise women’ or impose their own interpretations on something that makes little sense to them.

Even if you don’t agree with them, you can understand the motivations but it’s getting to the point where some of these important cultural locations are being turned into litter beds.

If you do visit such sites, appreciate their location and the history for what they are. Don’t drop rubbish offerings there. If you want to offer something, make a donation to charity.

An Irish ‘Thirteenth Warrior’

It’s just about four years since I published the second Liath Luachra book and, keen to distinguish it from the Fionn mac Cumhaill Series, I had the action take place much further south in the area that was once called ‘Usraighe‘.

I also incorporated a number of elements from ancient stories associated with Usraighe as part of the plot. As a result, the final story is often described as a kind of Irish version of the movie ‘The Thirteenth Warrior’ (itself based on a book called ‘Eaters of the Dead’ by Michael Crichton which I’ve never actually read). That was never the intention but I can certainly understand the comparisons.

‘The Swallowed’, therefore, was very much a standalone novel and although it contributes to the Irish Woman Warrior Series and reveals elements of the character not found in other books, it’s not necessary to have read it to follow the series. This is also why, when the series was originally optioned as a potential television series, this book was not included with the other three as part of the final deal.

Drawda: Boyne Mythology

A potential site of interest for those with a cultural history/mythology bent is Drogheda ( a port town on the eastern coast) that came up with an interesting artistic initiative over the course of the Covid pandemic.

‘Drawda’ (a very clever play on words) was a curated public arts programme that took take place in the town from November 2021 until it culminated in a one-day, fun day in April 2022. Consisting of six murals, it involved six national and international mural artists working to the theme of key figures from Irish Mythology associated with the Boyne Valley and region (an area which is linked to a huge proportion of our national mythology and belief systems) .

The first of these was Ciaran Dunlevy’s magnificent mural (on Wogans wall) which depicted part of the story of Fionn Mac Cumhaill and the Salmon of Knowledge.

The second mural features Etaín by Dutch artist Nina Valkhoff.

The third mural (near Abbey Lane) represents Bóann (the personification of the Boyne) by Spanish artist Lula Goce.

The fourth work is ‘The Morrigan‘ by Friz (a Northern Irish artist). Have to say, the man’s already earned my respect as he’s spared us the usual ‘Goth’/Fantasy representation of ‘The Morrigan’ that non-Irish people love (blackness, doom and bloody crows!)

The fifth work is An Dagda ( an ancient representation of fertility – no he’s not a feckin god!) by the French artist Russ (in Lawrence Street)

And the final mural (on Drogheda’s port wall) is Amergin by French artist Aero. Again, it’s pleasing to see how he avoids the ususal foreign cliched representation of Amerigin.

Overall, the works are unique but hold the core of the old stories and, for the most part, avoid the hackneyed Anglo representations. Well done to all involved in the project!

Almost eight years of Liath Luachra

A blast from the past with this old post (and draft cover) from 2015.

At the time, I was still writing the first Liath Luachra book with the intention of using it as a prequel for the Fionn mac Cumhaill Series.

That plan went kinda sideways. After an initial lacklustre reception on it’s publication, more and more people started writing and asking for a second book. Four books (and a few short stories) later and the Liath Luachra series has now surpassed the popularity of the original series it was meant to introduce.

Add in subsequent screen options and the character seems ot have taken on a life of her own that I’d never really anticipated.

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LIATH LUACHRA – THE GREY ONE (VERY EARLY DRAFT COVER)

2015 has been a bit of a tough year on the work front so far but I’m pleased to say that we’re actually making good progress on the book and website fronts (amongst others).

At this stage, I’m approximately two thirds of the way through Liath Luachra – The Grey One (which is something of a prequel to the Fionn Mac Cumhaill Series). I usually find that by the fifth chapter, the plot lines are cohesive but that I need to go back and rewrite/amend some of the earlier sections to ensure the linear flow of the narrative. This tends to delay the completion but it really is the most important part for me in terms of ‘plot quality’ so getting over that ‘hump’ is important. Everything else after this feels like “walking downhill” (as one of the Ents in LOTR says)